隐藏之家/路易吉·罗塞利建筑师事务所

隐藏之家/路易吉·罗塞利建筑师事务所
Hidden Home / Luigi Rosselli Architects

“隐蔽之家”的设计理念：该项目最显著的亮点在于其“隐蔽”的设计策略，这是一种对历史建筑的尊重与延续。面对历史建筑的改造和扩建，设计师并未选择破坏性的覆盖或叠加，而是将新建部分巧妙地隐藏于地下，最大限度地保留了原有建筑的风貌和花园景观。这种设计理念体现了对历史文脉的深刻理解，也满足了现代生活方式的需求。这种“隐蔽”并非简单的掩盖，而是一种巧妙的融合，将现代功能空间与历史建筑的价值有机地结合在一起。

空间利用与功能布局：项目在空间利用方面展现了极高的智慧。地下空间的挖掘和利用，不仅满足了业主对现代生活设施的需求，如健身房、泳池、酒窖等，也为建筑提供了独特的魅力。屋顶花园的设计则巧妙地弥补了土地的损失，创造了新的景观层次。上层空间作为主要的起居和娱乐区域，与花园的连接使得室内外空间相互渗透，实现了居住体验的提升。这种垂直方向上的功能分区，在有限的土地资源上实现了最大化的空间利用率，并且兼顾了美学与实用。

建筑与景观的和谐统一：项目强调建筑与景观之间的和谐统一，这体现在建筑外观的低调内敛以及花园的精心设计。通过将建筑体量隐藏于地下，保留了地面的绿化空间，创造了宜人的居住环境。同时，花园的设计与建筑风格相呼应，将维多利亚时代的浪漫主义与现代风格完美融合，使得建筑与自然环境融为一体。这种设计不仅提升了项目的整体美感，也体现了可持续发展的设计理念，在满足居住需求的同时，最大限度地保护了环境。

建筑师提供的文字描述几个世纪以来，建筑和城镇一层一层地建造。教堂建在寺庙的基础上，大教堂建在教堂之上，更高更宏伟；大教堂的地下室往往是前教堂的遗迹。然而，今天，我们对那些在快速城市化的破坏中幸存下来的建筑更加尊重和虔诚。我们倾向于将这些建筑列入“遗产名录”以保护它们，我们不会在它们之上或之前建造。也就是说，为了确保历史建筑与我们的现代生活方式相兼容，通常需要进行扩建，因此我们试图将这些扩建物隐藏在后面，或者在这座宏伟的房子的情况下，将其隐藏在地面以下。
Text description provided by the architects. For centuries, buildings and towns were built layer upon layer. Churches were built on the foundations of temples, and cathedrals over churches, taller and grander; the crypts of cathedrals were often what remained of the previous church. Today, however, we are more respectful and reverential of those buildings that have survived the ravages of rapid urbanization. We tend to 'heritage list' such buildings to preserve them, and we do not build over or in front of them. That said, additions are often necessary to ensure a historic building's compatibility with our modern lifestyles, and so we seek to disguise these additions, by placing them to the rear, or in the case of this grand home, hiding them below ground level.

这座房子建于1889年，由当时极具影响力的建筑师Walter Liberty Vernon设计，他将位于the Domain的新南威尔士美术馆和悉尼中央车站都算在他的许多项目中。除了这些宏伟的公共工程，他还设计了许多私人住宅，包括家庭遗产，路易吉·罗塞利建筑师事务所最近有幸对其进行了更新。
Constructed in 1889, the house was designed by Walter Liberty Vernon, who was a highly influential architect of the time, and who counted both the Art Gallery of New South Wales, located in The Domain, and Sydney's Central Station among his many projects. Along with these grand public works, he also designed many private residences, including Family Heritage, which Luigi Rosselli Architects recently had the privilege of updating.

这座最初的两层住宅是为一位成功的会计师建造的，矗立在一大片土地上，可以俯瞰悉尼港和对面的悉尼市。在考虑新扩建的设计时，有一项要求是在20世纪90年代将大部分原始地块出售用于开发联排别墅后保留花园的剩余部分。为了实现这一目标，解决方案是拆除最近的一个车库扩建部分，并用一个覆盖四层的新翼取而代之，包括地下空间和一个类似于冰山一角的屋顶花园，它占据了该物业“上层”花园曾经所在的空间。扩建部分的上层有一个新的厨房、餐厅和客厅；一个与现代生活方式相辅相成的现代空间，通过轻松进入明亮通风的花园空间而得到增强。较低的楼层有一个酒窖和所有的设备：健身房、按摩室、桑拿浴室、水疗中心和游泳池，这些都是实现永生所必需的。以及支持这一目标的更平凡的元素，如机房和游泳池的水箱。
Built for a successful accountant, the original two-story dwelling stood tall on a large parcel of land blessed with views down to Sydney harbor and the city of Sydney opposite. In considering the design for the new additions, there was a requirement to retain what remained of the garden after a significant portion of the original plot was sold off in the 1990s for the development of townhouses. To achieve this aim, the solution was to demolish a more recent garage addition and replace it with a new wing that covers four levels, including subterranean spaces and a roof garden akin to an iceberg tip, which occupies the space where the 'upper' garden of the property used to be. Housed within the upper level of the additions are a new kitchen, dining, and sitting room; a contemporary space that complements a modern lifestyle, enhanced by easy access to the light and airy garden space. The lower levels contain a wine cellar, and all the apparatus: a gym, massage room, sauna, spa, and swimming pool, necessary for achieving immortality. Along with the more mundane elements to support that aim, such as the plant room, and a water tank for the pool.

借用拉丁语和希腊语中隐藏的“神秘建筑”一词并不是一个新概念，尽管它可以被有效利用，目的是保护已经存在的东西或有效利用有限的空间。世界著名的“神秘建筑”包括美籍华裔建筑师贝聿铭在巴黎卢浮宫增建的金字塔；Fabrica，由日本建筑师安藤忠雄为贝纳通的United Colors设计，融入17世纪威尼斯别墅的空间；以及埃米利奥·安巴萨兹的精彩地下建筑。
Borrowing from both the Latin and Greek words for hidden, 'cryptic architecture' is not a new concept, though it is one that may be put to effective use where the aim is to preserve what already exists or to make effective use of limited space. World-renowned examples of 'cryptic- architecture' include, Chinese-American architect, I.M. Pei's pyramid addition to the Paris Louvre; Fabrica, the addition integrated into the confines of a seventeenth-century Venetian villa by Japanese architect, Tadao Ando for United Colors of Benetton; and the wonderful underground buildings of Emilio Ambasaz.

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澳大利亚当局非常反对利用神秘的建筑来解决我们拥挤的城市景观的挑战，相反，他们更愿意允许不断增长的土地清理速度和资源匮乏的城市蔓延。据推测，反对意见是基于减少垃圾填埋量和挖掘造成的噪音污染而形成的，但这些当局在批准大型公共工程（如大型地下道路系统）时没有表现出同样的担忧。北悉尼议会是少数支持这种解决方案的机构之一。议会区地理位置位于悉尼下北岸，其拓扑结构的特点是岩石架的陡坡，它允许放置游泳池和车库、机房和水箱等实用元素，在地下看不见，以保持一个绿树成荫的地面。
Authorities within Australia are quite opposed to utilizing cryptic architecture as a solution to the challenges of our crowded urban landscape, preferring instead to allow ever-growing rates of land clearance and poorly resourced urban sprawl. Supposedly the objections are formed on the basis of reducing the volumes of landfill, and noise pollution resulting from excavation, yet those same authorities show none of those same concerns when approving large-scale public works such as vast underground road systems. North Sydney Council is one of the few authorities to support this type of solution. Geographically located on Sydney's lower north shore, the topology of the Council area is characterized by the steep slopes of a rock shelf, and it allows for the placement of swimming pools, and utilitarian elements such as garages, plant rooms, and water tanks, out of sight below ground to retain a leafy ground plane.

Hidden Home的花园是维多利亚时代对草坪和边缘的喜爱的郁郁葱葱的诠释，与Dangar Barin Smith的William Dangar精心挑选的亚热带植物相融合。室内设计师Romaine Alwill将她收藏的现代主义和经典室内元素融入了维多利亚时代晚期的室内设计中。凭借他的设计，弗农正处于从华丽和分层的维多利亚时代杂乱过渡到安妮女王时期更纯粹的方法的过渡阶段，罗曼是捕捉到这一微妙变化的合适人选。
The gardens of Hidden Home are a lush interpretation of the Victorian affection for lawns and edges, blended with subtropical planting artfully and personally selected by William Dangar of Dangar Barin Smith. Interior designer, Romaine Alwill combined her collection of modernist and classic interior elements within the late-Victorian interiors of the house. With his design, Vernon was in a transition phase from the ornate and layered Victorian clutter, to the purer approach of the Queen Anne period, and Romaine was the right person to pick up on this subtle change.

Luigi Rosselli Architects的地下游泳池设计灵感来自这个地方神秘的性质。这个水池是从悉尼下北岸大片地区的砂岩岩架上挖掘出来的，必须说石匠的语言。虽然在建筑上明显引人注目，但抛物线形拱门也是结构上最有效的形状，能够承载游泳池上方多个楼层的荷载。天窗切入游泳池上方两层的地板，将光线引入空间，营造出与外界的联系感。
Luigi Rosselli Architects' design for the subterranean swimming pool drew inspiration from the cryptic nature of the place. Excavated from the sandstone rock ledges that characterize large areas of Sydney's lower north shore, the pool had to speak the language of the stonemasonry. While clearly architecturally striking, the parabolic arches also happen to be the most structurally efficient shape capable of carrying the load of the multiple levels situated above the pool. Skylights cut into the floors of the two levels above the pool draw light down into the space and foster a sense of connection to the world beyond.