梅特扩建基金会/西尔维奥·达西亚建筑

梅特扩建基金会/西尔维奥·达西亚建筑
Fondation Maeght Extension / Silvio d’Ascia Architecture

尊重历史与创新融合：梅特基金会扩建项目在尊重 Josep Lluís Sert 原始建筑、结构和精神的基础上进行扩建。新空间在地下挖掘，向山谷开放，与周围景观和谐对话。材料的选择既保护了原建筑语言，又明确了扩建部分的身份。该项目不仅扩大了展览空间，还丰富了节目内容，提高了参观质量，使基金会的经济模式更加多样化。它是对历史的尊重与创新的完美融合。

未来承诺与历史传承：扩建后的梅特基金会为游客提供了更多的展览空间和更丰富的体验。新空间的设计灵活多样，可满足不同的展览和活动需求。同时，项目还进行了整体能源改造，使基金会更加环保可持续。拆除增建部分，重新发现原始建筑的纯净，体现了对历史的传承。该项目反映了梅特基金会对未来的承诺，将继续成为现代艺术的灯塔，为全球艺术爱好者提供独特的文化体验。

建筑师提供的文字描述2022年11月至2024年5月，梅特基金会自开业以来首次进行了重大建筑工程。尊重Josep Lluís Sert的原始建筑，四个新房间将于2024年6月为基金会成立60周年而落成。这些房间代表了梅特基金会的新时代。受到美国大型基金会的启发，富有远见的Marguerite和AiméMaeght夫妇——20世纪一些最重要艺术家的印刷商和画廊老板——设想了法国第一个致力于现代和当代艺术的基金会。这个地方于1964年由安德烈·马尔罗（AndréMalraux）揭幕，由建筑师Josep Lluís Sert为艺术家们设计。Sert已经提前考虑了生态（收集雨水的内墙、建筑的朝向）和与景观和乔治·布拉克、琼·米罗、皮埃尔·塔尔·科特、马克·夏加尔、波尔·伯里、迭戈·贾科梅蒂或拉乌尔·乌巴赫特别创作的作品完美和谐的对话。
Text description provided by the architects. Between November 2022 and May 2024, the Fondation Maeght conducted significant building works for the first time since its opening. Respecting the original building by Josep Lluís Sert, four new rooms will be inaugurated in June 2024 for the foundation's 60th anniversary. These rooms embody a new era for the Fondation Maeght. Inspired by large American foundations, the visionary couple Marguerite and Aimé Maeght - printers and gallery owners for some of the most important artists of the 20th century - imagined the first foundation dedicated to modern and contemporary art in France. Inaugurated in 1964 by André Malraux, this place was designed by architect Josep Lluís Sert for and with the artists. Ahead of its time, Sert already took into account ecology (impluviums to collect rainwater, the orientation of the building) and dialogue in perfect harmony with the landscape and the works specially created by Georges Braque, Joan Miró, Pierre Tal Coat, Marc Chagall, Pol Bury, Diego Giacometti, or Raoul Ubac.

Ground Floor Plan

如今，被誉为“20世纪杰出建筑”的梅特基金会是法国文化景观中的瑰宝之一，在全球享有盛誉。该基金会每年有超过13万名参观者，仍然是现代艺术的灯塔之一。然而，由于只有850平方米的内部展览空间，该基金会无法同时举办临时展览和大部分永久收藏，其中包括13000多件作品。早在1973年，AiméMaeght就预见到，对额外空间的需求比以往任何时候都更加迫切。扩建项目使梅特基金会能够满足每一位游客的需求——好奇地发现欧洲最重要的现代艺术藏品之一，这些藏品将轮流展出——并提高参观质量，丰富节目，提供室内会议、放映、表演、学习日和音乐会。该项目还将使基金会的经济模式多样化，基金会的运营和规划将依靠自己的资源。基金会的扩建面积（500平方米的扩建加上80平方米的现有空间改造）将允许设计和开发更雄心勃勃的展览，延续现代和当代艺术前卫的原始精神。
Today, the Fondation Maeght, classified as "Remarkable Architecture of the 20th Century," is one of the jewels of the French cultural landscape, enjoying significant global recognition. With over 130,000 visitors per year, the foundation remains one of the beacons of modern art. However, with only 850 m2 of interior exhibition space, the Foundation could not accommodate both a temporary exhibition and a significant part of its permanent collection, which comprises more than 13,000 works. Anticipated by Aimé Maeght as early as 1973, the need for additional spaces became more pressing than ever. The extension project allows the Fondation Maeght to satisfy the needs of every visitor - curious to discover one of the most important collections of modern art in Europe, which will be presented on a rotating basis - as well as to improve the quality of the visit, enrich the programming, offering indoors conferences, screenings, performances, study days, and concerts. The project will also diversify the economic model of the foundation, which, for its operation and programming, works with its own resources. The expanded surface of the Foundation (500 m2 of extension plus 80 m2 of conversion of existing spaces) will allow the design and development of ever more ambitious exhibitions, continuing the original spirit of the avant-garde of modern and contemporary art.

Cross Sections

Maeght基金会的扩建项目尊重Josep Lluís Sert的原始建筑、结构和精神，扩大了展览空间，从而继续确保具有国际共鸣的独特节目。这些新空间是在地下挖掘的，通过建筑后面的大窗户向山谷开放。Maeght基金会的扩建项目将展览空间扩大了580平方米，尊重了Josep Lluís的原始建筑。Sert。乍一看，这是一种几乎看不见的干预，当游客在旅途中前进时，它就会显现出来。它由两个新的主体量和两个画廊组成，坐落在基础现有楼层的一部分下方，插入现有建筑石基的厚度中。大厅建在贾科梅蒂庭院下，提供390平方米（13.5米宽，29米长）的空间，没有任何可见的结构。这种布局旨在为临时展览、永久收藏展示、音乐会、放映或舞蹈表演提供极大的灵活性。这两个空间通过一个44平方米的画廊与大厅相连，画廊专门展示基金会及其建筑的历史（模型、原始施工图等）。
The extension project of the Fondation Maeght respects the original architecture, structure, and spirit of Josep Lluís Sert, enlarging the exhibition spaces, thus continuing to ensure unique programming with international resonance. These new spaces are dug underground and open through large windows at the back of the building towards the valley. The extension project of the Fondation Maeght enlarges the exhibition spaces by 580 m², respecting the original architecture of Josep Lluís. Sert. A nearly invisible intervention at first glance, which reveals itself as visitors progress along the journey. It consists of two new main volumes and two galleries, nestled beneath part of the foundation's current floors, inserted into the thickness of the existing building's stone base. The large hall, built under the Giacometti Courtyard, provides a space of 390 m² (13.5 m wide by 29 m long), free of any visible structure. This layout aims to achieve great flexibility for temporary exhibitions, permanent collection displays, concerts, screenings, or dance performances.The two spaces are connected to the large hall by a 44 m² gallery dedicated to the history of the Foundation and its building (models, original construction drawings, etc.).

在MiróCourtyard下，恢复了原来的开放式庭院形式，有一个66平方米（6.6米宽，10米长）的小房间。这些新的展览室通过其巨大的延伸玻璃窗向松林开放，让自然光穿透地下。周围景观的框架突出了游客的体验，并鼓励他们继续前往米罗迷宫的室外通道。扩建部分仅从“走道”可见，完美地尊重了Sert的创新建筑，并提供了一个新的“长廊”：从出口穿过小房间到贾科梅蒂庭院，穿过米罗庭院，在基金会之友的帮助下，艺术家创造的大型彩色玻璃窗得以修复。因此，该项目遵循了艺术与自然、固体与空隙之间的关系，以及建筑、艺术品和景观之间的和谐对话。
Under the Miró Courtyard - restored to its original open courtyard form - there is a smaller room of 66 m² (6.6 m wide by 10 m long). These new exhibition rooms open towards the pine forest through their large extended glass windows, allowing natural light to penetrate underground. Framing of the surrounding landscape punctuates the visitor experience and encourages them to continue towards the outdoor pathway of the Miró Labyrinth. The extension, visible only from the "walkway," perfectly respects Sert's innovative architecture and offers a new "Promenade": from the exit through the small room to the Giacometti Courtyard, passing through the Miró Courtyard whose large stained glass window created by the artist is restored for the occasion thanks to the Friends of the Foundation. The project thus follows the relationship between art and nature, between solids and voids, in harmonious dialogue between the building, the artworks, and the landscape.

用于保护和尊重Sert建筑语言的材料，同时明确维护扩建的身份：新体量的现场混凝土与石基连续，大窗户的玻璃和地板覆盖物的洞石。Giacometti Courtyard和MiróCourtyard的地板覆盖物采用传统的赤陶瓷砖进行了完全相同的重建。作为基础整体能源改造的一部分，回廊拱顶的所有原始外部细木工制品和玻璃（从单层玻璃转换为双层玻璃）都已被更换。该项目还通过两部PRM（行动不便者）电梯使新空间无障碍，一部将当前的底层书店连接到地下室，另一部将介绍廊连接到专为藏书爱好者设计的大厅。这些作品还为基金会提供了一个机会，可以拆除几十年来的增建部分，从而重新发现原始建筑的纯净。扩建项目反映了梅特基金会对未来的承诺，同时忠实于其历史和光环。
The materials used to preserve and respect Sert's architectural language while clearly asserting the identity of the extension: are on-site concrete for the new volumes in continuity with the stone base, glass for the large windows, and travertine for the floor coverings. The floor coverings of the Giacometti Courtyard and the Miró Courtyard are reconstructed identically with traditional terracotta tiles. As part of the general energy renovation of the foundation, all original exterior joinery and glazing (conversion from single to double glazing) of the cloister vaults have been replaced. The project is complemented by making the new spaces accessible through two PRM (Persons with Reduced Mobility) lifts, one connecting the current ground-floor bookstore to the basement and the other connecting the introduction gallery to the large hall, which is dedicated to bibliophiles.The works also provide the Foundation with an opportunity to remove additions made over the decades and thus rediscover the purity of the original building.The extension project reflects the Fondation Maeght's commitment to projecting into the future while remaining true to its history and aura.