澳大利亚花园

澳大利亚花园
The Australian Garden

泰勒·卡利蒂·莱特伦：“澳大利亚的海岸被海洋包围，沙漠从背后伏击——一场两条战线上的神秘战争”——陆地边缘的蒂姆·温顿。在一个以前的采砂场，一个新的植物园已经建成，游客可以通过这个植物园，从沙漠到海岸边缘，在澳大利亚的景观中体验水的隐喻之旅。
Taylor Cullity Lethlean: “Australian’s are surrounded by ocean and ambushed from behind by desert – a war of mystery on two fronts” – Lands Edge Tim Winton. In a former sand quarry, a new botanic garden has been completed, one that allows visitors to follow a metaphorical journey of water through the Australian landscape, from the desert to the coastal fringe.

The Australian Garden

通过景观设计的艺术性，这一综合景观将园艺、建筑、生态和艺术结合在一起，创造了澳大利亚最大的植物园。通过主题体验的设计，它试图激发游客以新的方式参观我们的工厂。澳大利亚花园的建成正值世界各地的植物园质疑现有的研究和娱乐模式，重新关注景观保护的信息和对有意义的游客参与的新兴趣之际。
Via the artistry of landscape architecture, this integrated landscape brings together horticulture, architecture, ecology, and art to create the largest botanic garden devoted to Australian flora. It seeks, through the design of themed experiences, to inspire visitors to see our plants in new ways. The completion of the Australian Garden comes at a time when Botanic Gardens world-wide are questioning existing research and recreational paradigms and refocusing anew on messages of landscape conservation and a renewed interest in meaningful visitor engagement.

澳大利亚的风景被它的人民所拥抱或回避，因为它的壮美而被人们所喜爱，或者因为它的艰难而被厌恶。艺术家和作家经常受到启发，根据我们风景中微妙的节奏、流畅的形式和顽强的植物群进行设计或写作。而其他人则试图对景观进行排序，并将其视为人类设计的形式。
The Australian landscape is embraced or shunned by its people, loved for its sublime beauty or loathed as the cause of hardship. Artists and writers have often been inspired to design or write in response to subtle rhythms, flowing forms and tenacious flora of our landscape. Whilst others have attempted to order the landscape, and conceive of it as humanly designed form.

在澳大利亚花园，这些张力是设计的创造性起源。在花园的东侧，展示花园、展示景观、研究地块和林业阵列，表明我们倾向于以更正式的方式构建我们的景观，而在西侧，游客被自然循环、沉浸式景观和不规则植物群形式激发的花园所吸引。水在这两种情况之间起着中介作用，将游客从岩石池悬崖、蜿蜒的河流弯道、白千层火山口和海岸边缘带到这里。
At the Australian Garden these tensions are the creative genesis of the design. On the east side of the garden, exhibition gardens, display landscapes, research plots and forestry arrays that illustrate our propensity to frame our landscapes in more formal manners, whilst on the west, visitors are subsumed by gardens that are inspired by natural cycles, immersive landscapes and irregular floristic forms. Water plays a mediating role between these two conditions, taking visitors from rock-pool escarpments, meandering river bends, melaleuca spits and coastal edges.

摄影：约翰·高林斯、彼得·凯悦和本·瑞格利
Landscape Architecture: Taylor Cullity Lethlean and Paul Thompson
Client: Royal Botanic Gardens, Cranbourne
Collaboration: Paul Thompson, Edwina Kearney, Mark Stoner, Greg Clarke and Mish Eisen
Location: Royal Botanic Gardens, Cranbourne, Victoria
Completion Date: stage 1: 2005, stage 2: 2012
Construction budget: $30 million +
Size: 50 hectares
Photography: John Gollings, Peter Hyatt and Ben Wrigley