杭州美丽洲教堂

景观设计 / 居住环境 2021-11-6 19:46

杭州美丽洲教堂
Hangzhou Meilizhou Church

平台设计:这座教堂致力于起源于周边地区的基督教社区。良渚遗址位于杭州市郊,四周环山环湖,公元前3500年至2200年是良渚文化的中心。由于中国开发商万科在周边地区创造了文化、商业和住宅设施,当地居民的生活大大丰富了。
PLATdesign: This church was dedicated to the Christian community with rooted origins in the surrounding region. Located on the outskirts of Hangzhou, the site Liangzhu is a place surrounded by mountains and lakes, and from 3500 to 2200 BC was the center of the Liangzhu culture. Thanks to the Chinese developer Vanke for creating cultural, commercial, and residential facilities in the surrounding area, the local citizens’ lives have been greatly enriched.

Hangzhou Meilizhou Church

© PLATdesign

Hangzhou Meilizhou Church

© Masao Nishikawa

Hangzhou Meilizhou Church

© Masao Nishikawa

Hangzhou Meilizhou Church

© Masao Nishikawa

Hangzhou Meilizhou Church

© Masao Nishikawa

Hangzhou Meilizhou Church

© Masao Nishikawa

Hangzhou Meilizhou Church

© Masao Nishikawa

Hangzhou Meilizhou Church

© Masao Nishikawa

Hangzhou Meilizhou Church

© Masao Nishikawa

Hangzhou Meilizhou Church

© Masao Nishikawa

Hangzhou Meilizhou Church

© Masao Nishikawa

Hangzhou Meilizhou Church

© Masao Nishikawa

Hangzhou Meilizhou Church

© Masao Nishikawa

Hangzhou Meilizhou Church

© Masao Nishikawa

Hangzhou Meilizhou Church

© Masao Nishikawa

Hangzhou Meilizhou Church

© Masao Nishikawa

Hangzhou Meilizhou Church

© Masao Nishikawa

Hangzhou Meilizhou Church

© Masao Nishikawa

Hangzhou Meilizhou Church

© Masao Nishikawa

Hangzhou Meilizhou Church

© Masao Nishikawa

Hangzhou Meilizhou Church

© Masao Nishikawa

Hangzhou Meilizhou Church

© Masao Nishikawa

Hangzhou Meilizhou Church

© Masao Nishikawa

Hangzhou Meilizhou Church

© Masao Nishikawa

Hangzhou Meilizhou Church

© Masao Nishikawa

教堂由一个带有象征性山墙屋顶的大教堂组成,通过走廊与小教堂、公共休息室和图书馆等小型建筑相连。它的后面是现有的树林,前面是一个商业区。我们的设计意图是创造这个神圣空间的环境,避免典型的教堂原型,而是试图捕捉丰富的绿色景观的独特魅力。
The Church consists of a Grand Chapel with symbolic gabled roof, linked by a corridor to smaller buildings such as a Small Chapel, common room, and library. There are existing woods to its rear, and the front faces a commercial area. Our design intent of creating the surroundings of this sacred space was to avoid typical prototypes of churches, and instead attempt to capture the unique charm of the rich green landscape.

我们的首要任务是创建一系列空间。游客首先通过该开发区的主要道路从西侧进入,然后在树木后面看到大教堂,由石墙引导。在这条路的前方,有一道4米长的门墙迎接游客,从这里首先面对大教堂。当你爬上直直的大楼梯时,一个纯白的庭院被走廊环绕,这是纯真的象征。当你继续穿过走廊时,你会被一堵柔和的弯曲砖墙所欢迎,砖墙与后面现有的树林嬉戏地交织在一起。离走廊只有一步之遥的是小教堂和其他小房间,在那里他们可以在大画窗中再次看到这幅美丽的风景。通过创造不同规模的独特场景,我们感受到这个地方的美丽已经实现。
Our first priority was to create a sequence of spaces. Visitors first approach from the west side via the main road of this development, and upon sighting the Grand Chapel beyond the trees, are led by the Stone Masonry wall. Ahead of this approach, visitors are greeted by a 4 meter Gate Wall, and from here first face the Grand Chapel. As one climbs the straight extension of the Grand Staircase, there appears as a symbol of innocence a pure white courtyard surrounded by a corridor. As one continues through the corridor, one is welcomed by a gentle Curved Brick Wall playfully interweaving with the Existing Woods in the rear. Just one step from the corridor is the Small Chapel and other small rooms, where they can see this scenery once again beautifully framed in the large picture windows. By creating this overlay of distinctive scenes at various scales, we feel the beauty of this place has been actualized.

我们的第二个优先事项是材料的使用。在传达教会象征性地位的同时,我们的目标也是通过其温和的宽容来表达它是如何包容人与自然的。大教堂的地板延伸到大楼梯的坚实体量中。巨大的大门墙象征性地成为这一神圣空间与其日常环境之间的边界。在白色宽阔的庭院中,细微的线条只因反射的差异而出现。弧形砖墙的有机形式与现有的树木相互连接,象征着自然与人之间的和谐。通过这些与自然环境相对应的颜色和纹理,并创造出对比鲜明的场景,我们觉得每个场景都可以表达得更加清晰。
Our second priority was the use of material. While conveying the symbolic status of the Church, our goal was to also express how it encompassed man and nature through its gentle tolerance. The floor of the Grand Chapel extends out into the solid mass of the Grand Staircase. The massive Gate Wall symbolically stands as the boundary between this sacred space and its everyday surroundings. Within the white expanse of the courtyard, subtle lines appear just by a difference in reflection. The organic form of the Curved Brick Wall interlinks with the Existing Woods as symbol of harmony between nature and people. By these colors and textures set against the natural surroundings and creating contrasting scenes, we feel each scene can be expressed all the more clearly.

We hope that by these two design approaches, we have inscribed a new internal scenery into each person who visits. The completion ceremony was a grand festival held by the local villagers.

客户:万科房地产有限公司。
Landscape Architecture: PLATdesign
Project name : Hangzhou Meilizhou Church
Completion date : 2010
Location : Hangzhou, China
Area : 1.3ha
Designer of Architecture : Tsushima Design Studio
Photographer : Masao Nishikawa
( photo No. 01,02,03,04,05,06,07,09,10,11,12,13,16,17,18,19,20,21 by Masao Nishikawa)
Client : Vanke Real Estate Co.,Ltd.

杭州美丽洲教堂