齐亚德·扎基的平面/人性设计

齐亚德·扎基的平面/人性设计
Ziad Zaki’s Flat / Human Nature Design

空间布局与功能优先：项目的核心亮点在于对空间布局的精巧调整。设计师优先考虑居住者的生活习惯和需求，颠覆了原有的空间分配，将最佳视野和采光留给起居空间，而非卧室。厨房被重新定位为中心区域，并巧妙地设置了辅助厨房，既满足了功能需求，又保证了空间的通透性。此外，设计师还充分利用空间，在原有基础上改造浴室，创造办公区域，并增加了储物空间。这种以功能为导向的设计理念，确保了居住的舒适性和便利性，体现了设计师对细节的极致追求。

风格融合与材料运用：该项目巧妙地融合了禅宗、极简主义的瑞典风格与伊斯兰设计的精神。设计师从居住者选择的绿色大理石中汲取灵感，并以此为核心构建了整体的配色方案。浅色木材、绿色门框、白色墙面与天花板的搭配，营造出清新而富有层次感的视觉效果。更值得称道的是，设计师借鉴了伊斯兰设计中彩色墙面的元素，并将其转化为木质墙面，从而引入了嵌入式照明，增强了空间的纹理感。这种对不同风格的理解和巧妙运用，赋予了空间独特的艺术魅力。

定制设计与细节雕琢：项目的精髓在于对定制设计的深度挖掘。除了吧台凳和办公椅外，所有家具都由设计师亲自操刀，充分体现了对居住者生活方式的理解。厨房的设计尤为出色，它不仅是烹饪场所，更兼具用餐区和吧台的功能。定制的媒体中心、八角形咖啡桌、灵感来源于清真寺的吊灯、以及可供工作、用餐和看电视的多功能沙发，都展现了设计师对细节的极致追求。此外，天然纤维的滑动遮阳装置，既保证了隐私，又解决了开罗夏季的强烈阳光问题，体现了设计师在实用性与美观性上的完美平衡。

建筑师提供的文字描述Ramzi Makram Ebeid之前曾与Ziad Zaki一起担任承包商，当他成为这个住宅项目的客户时，他已经很熟悉了。从不同的角度了解齐亚德，他必须研究他的日常生活、习惯和风格。最重要的是，他必须在工作之余了解齐亚德。经过几次演练和“了解你”，他们决定创造一个空间，在禅宗和极简主义的瑞典风格下，唤起伊斯兰设计的精神。
Text description provided by the architects. Having previously worked with Ziad Zaki as a contractor, Ramzi Makram-Ebeid was already familiar when he became a client for this residential project. Getting to know Ziad from a different lens, he had to study his daily routine, his habits, and his style. Most importantly, he had to get to know the Ziad outside of work. After a couple of walk-throughs and "getting to know yous", they decided to create a space that would evoke the spirituality of Islamic design while being Swedish in its zen and minimalism.

Project Floor Plan

功能优先-与往常一样，Ramzi首先解决了空间的功能和布局问题。原来的空间将最佳的视野和阳光分配给了卧室，而厨房很小，主浴室也乏善可陈；Ramzi改变了这一切。Makram Ebeid将客厅和卧室换成了最好的视野，主厨房占据了中心区域，而一个较小的功能厨房则隐藏了起来。这样就有足够的空间来改造浴室，创造一个舒适的办公室角落，并在走廊上增加储物空间。
Function First - As always, Ramzi tackled the functionality and layout of the space first. The original space allocated the best views and sunlight to the bedroom, while the kitchen was small and the main bathroom was lackluster; Ramzi changed all of it. Makram-Ebeid swapped the living room with the bedroom to give it the best views, the main kitchen took over a central area while a smaller functional kitchen remained hidden. This allowed for enough space to revamp the bathroom, create a cozy office nook, and add storage to the hallway.

风格和装饰-配色方案基于齐亚德选择的令人惊叹的绿色大理石。其浅米色的色调激发了他在整个空间中使用浅色木材的灵感，Ramzi在门上使用了浓郁的绿色，墙壁和天花板被漆成白色，以获得清爽的效果。墙面的灵感来自伊斯兰设计中的彩色墙壁，但Ramzi使用的是木材。这一特性使他能够为空间引入嵌入式照明和一些纹理。
Style and Décor - The color scheme was based on the stunning green marble that Ziad had chosen. Its light beige hues Inspired him to use light woods throughout the space, Ramzi used a rich green for the doors, and the walls and ceiling were painted white for a crisp effect. The wall cladding is inspired by colored walls found in Islamic design, except Ramzi used wood. This feature allowed him to introduce recessed lighting and some texture to the space.

定制-除酒吧凳子和办公椅外，所有家具均由Ramzi设计。齐亚德热爱烹饪，因此主厨房被设计得中央且宽敞；它的功能是厨房、用餐区和酒吧的三倍。橱柜的图案灵感来自摩洛哥伊斯兰设计，并通过将旋钮和手柄安装到图案中来保持最小。凳子和地板是在同一家工厂生产的，非常舒适。功能第一，风格第二是拉姆齐的座位规则。为了避免水对皮肤前面的地板造成伤害，增加了一块大理石“地毯”。Makram Ebeid想隐藏厨房的油烟机和管道，所以我加了一个半圆石膏板盖。
Customization - All furniture, with the exception of the bar stools and office chair, was designed by Ramzi. Ziad loves cooking so the main kitchen was made central and large; it triples in function as a kitchen, dining area, and bar. The cabinet's pattern was inspired by a Moroccan Islamic design and kept minimal with the knobs and handles fitted into the pattern. The stools were manufactured at the same factory as the flooring and are extremely comfortable. Function first, style second is Ramzi's rule for seating. To avoid water damage on the floor in front of the skin, a marble "rug" was added. Makram-Ebeid wanted to hide the kitchen hood and piping, so I added a little half-circle gypsum board cover.

媒体中心是定制设计的，灵感来自厨房，但它使用了包层和mashrabias的颜色来将其联系起来。电视单元前面是一个八角形定制设计的咖啡桌，它反映了上面的光线分布。照明吊坠的灵感来自于昔日美丽的清真寺吊坠，比如开罗穆罕默德·阿里清真寺的那些。受mastabas的启发，沙发被定制设计得尽可能大，并增加了一个用于工作、吃饭和看电视的柜台。它被放置在房间的中心，可以自由地在周围走动，并为植物留出空间。天然纤维滑动遮阳装置也被设计用于隐私和控制开罗夏季的强烈阳光。
The media center was custom-designed and inspired by the kitchen, however, it uses the color of the cladding and mashrabias to tie it all in. In front of the TV unit is an octagon custom-designed coffee table, which mirrors the light distribution above. The lighting pendant was inspired by yesteryears beautiful mosque pendants, like those in Cairo's Muhammad Ali mosque.Inspired by mastabas, the sofa was custom-designed to be as large as possible, with an added counter for working, eating and TV-watching purposes. It is placed in the center of the room to walk freely around it with space for plants. Natural fiber, sliding shading units were also designed for privacy and to control the intense sunshine of Cairo's summers.