Ciel/gon建筑师事务所

Ciel/gon建筑师事务所
Ciel / gon architects

屋顶的重生：该项目的核心亮点在于对现有屋顶的巧妙改造和再利用。设计师没有将屋顶视为一个简单的覆盖物，而是将其视为设计的主体和灵魂。他们通过金属加固修复了老化的木梁结构，并精心设计了一系列天窗，将自然光引入室内。这种对原有结构的尊重和创新运用，不仅提升了建筑的实用性和美观性，更赋予了建筑独特的个性。屋顶不再仅仅是遮风挡雨的屏障，而成为了连接室内空间与马德里天空的桥梁，创造了一种令人惊叹的光影效果和空间体验。

空间布局的流畅性：项目在内部空间布局上展现出极高的设计水平。设计师摒弃了传统公寓的封闭和分割，将原本黑暗的小房间和走廊改造成了更开敞、更流畅的居住空间。通过可变的高度、不断变化的光线以及材质的微妙过渡，营造出一种内外相通的视觉效果，模糊了公共空间和私人空间的界限。这种开放式的空间布局，不仅满足了家庭成员的日常活动需求，也促进了家庭成员之间的互动和交流。地板材料的变化，巧妙地界定了各个功能区域，使得整个空间既统一又富有层次，充分体现了现代居住理念的精髓。

时间与空间的对话：该项目的精髓在于其对时间、光线和家庭生活的深刻理解。设计师通过屋顶的改造，引入了自然光线，并将时间的流逝融入到建筑的肌理之中。室内陈设的设计也体现了这种时间的沉淀，新旧家具的混搭，反映了家庭成员丰富的经历和多元的生活方式。露台和天窗的设计，更是将室外的天空引入室内，让居住者在马德里独特的蓝天下，感受时间的流逝。整个项目不仅仅是一个居住空间，更是一个承载家庭记忆、展现生活态度的容器，体现了建筑设计的人文关怀，让居住者在建筑中感受生命的意义。

“法国家庭正在寻找一套公寓，在马德里无限期定居”。2022年底，Marion和Paul Franck夫妇在工作室里展示了自己，他们有三个年幼的孩子——Leo、Romeo和Zöe。在此之前，由于他在航空业的工作，他们在图卢兹生活了五年，在留尼旺岛又生活了两年，一个在华盛顿，最后四个在伦敦。与之前的目的地不同的是，马德里现在似乎是他们选择永久定居的地方。他们通过在马德里市中心Gran Vía和Chueca附近的Justicia社区购买了一栋位于20世纪初建造的住宅楼顶层的151平方米的住宅来实现这一目标。这座住宅具有明显的纵向特征，平面图围绕三个庭院组织，矛盾的是，尽管是一套顶层公寓，但它并没有与周围的城市轮廓建立明显的联系。相反，它就像犰狳的外壳一样，是封闭的，不受外界的影响。为此，它有一个广阔的屋顶：一个200平方米的波浪形不透明瓷砖表面，由7个不同坡度和长度的屋顶组成，由一个木梁框架组成，其中许多木梁变暗，状况不佳，隐藏在假天花板后面。
'French family looking for an apartment to settle in Madrid for an indefinite period of time'. With this headline, Marion and Paul Franck, a couple with three young children - Leo, Romeo and Zöe - who until then had lived, due to his work in the aeronautical industry, five years in Toulouse, another two in Reunion Island, one in Washington and the last four in London, presented themselves in the studio at the end of 2022. The difference with previous destinations is that Madrid now appears to be the place they have chosen to settle permanently. And they do so by acquiring a 151 m2 dwelling located on the top floor of a residential building constructed at the beginning of the 20th century in the Justicia neighborhood, near Gran Vía and Chueca, in the center of Madrid. With a marked longitudinal character and a floor plan organized around three courtyards, paradoxically, despite being a penthouse, the dwelling does not establish notable links with the surrounding urban profile. Rather, as if it were the shell of an armadillo, it is closed and protected from the outside. For this purpose, it has an extensive roof: a 200 m2 surface of undulating and opaque tiles, made up of 7 roofs of different slopes and lengths and consisting of a framework of wooden beams, many of them darkened, in poor condition and hidden behind a false ceiling.

Plan

这远非一个缺点，而是一个机会，可以说，开始设计穿过屋顶的房子。对房屋的改造是根据对这一特定覆盖物的空间和结构理解进行的，目的是毫无例外地回到房屋的每个空间，恢复它们失去的突出部分。首先，通过金属加固来修复它，然后练习一系列战略性的穿孔，以引入自然光和通风，从而更深入地体验空气的反射，即最终的时间流逝。在屋顶下进行的重组将分隔在小房间和走廊中的黑暗空间替换为更明亮、更流畅的空间；定义内部的外部；通过可变的高度和不断变化的光线，展现出一种新的景观和家庭空间，将每一个房间都与马德里独特的委拉斯开兹天空相联系。房子的内部在斜面、木梁和天窗的大屋顶下轻轻延伸，被投影和定义为一个连续的空间，在公共和私人之间有着松散、不确定的界限。只有地板的变化，从木材到陶瓷，标志着每个房间的程序和空间的使用。家庭生活是考虑到日常生活中的共存和不同的同时性而表达和设计的，作为一组大房间，家庭中每个成员的日常行为，无论是个人还是集体，都在这里发生。
Far from being a drawback, this condition is enhanced and becomes an opportunity, starting to design, so to speak, the house through the roof. The alterations to the house are projected from the spatial and structural understanding of this particular cover in order to return to each of the spaces of the house, without exception, the prominence they had lost. And this is done, first, by restoring it with metal reinforcements, and then practicing a series of strategically placed perforations to introduce natural light and ventilation in order to experience more deeply the reflections of the air, that is, ultimately, the passage of time. The restructuring undertaken under the roof replaces a dark space compartmentalized in small rooms and corridors with a more luminous and fluid one; an exterior that defines an interior; a new landscape and domestic volume that is revealed through variable heights and changing light, and that overturns and relates each and every one of the rooms with the unique Velázquez sky of Madrid.The interior of the house, which runs lightly under that great roof of sloping planes, wooden beams and skylights, is projected and defined as a continuous space with loosely defined, indeterminate limits between public and private. Only the changes in flooring, from wood to ceramic, mark both the program and the use of space in each room.The domesticity is articulated and designed considering the coexistence and different simultaneities in the day to day, as a set of large rooms where the daily actions of each of the members of the household, both individual and collective, take place.

Axo

Section

露台面积为15平方米，位于房屋21延米的尽头，与天窗一起，是整个室内光线最直接的来源，除了作为会议空间外，还包含冬季和夏季的按摩浴缸。房子里家具的规模反映了马里恩和保罗·弗兰克居住的不同地方的不同生活；这里和那里获得的物品系统，其中一些像19世纪的椅子一样古老，与20世纪的经典设计或宜家的其他设计交织在一起。CIEL是一种针对独特而常见的城市情况的翻修，在这种情况下，房子与城市的互动不是决定性的，而是与天空的互动；采用大型技术设计屋顶的房子；毕竟，这是一个阴影，能够在气候控制的环境下，以灵活的方式组织一个家庭项目，一个家庭可以在马德里独特天空的迷人钴蓝色范围内度过一段时间、几年或一生，享受时间的流逝及其波动。
The terrace, 15 m2 and located at the end of the 21 linear meters of the house, is, together with the skylights, the most direct source that floods the entire interior with light, and that, in addition to being a meeting space, also contains a jacuzzi for winter, and summer days.The scale of the furniture that occupies the house is an echo of the different lives in the different places where Marion and Paul Franck have lived; a system of objects acquired here and there in which some as old as some chairs of the nineteenth century are intermingled with classic designs of the twentieth century or with others from IKEA.CIEL is a renovation that responds to a singular and common urban situation, where the house does not interact in a decisive way with the city, but with its skies; a house that is a large technologically designed roof; a shadow after all, capable of hosting, under a climate-controlled environment, a domestic program organized in a flexible way where a family can live a stretch, a few years or a lifetime, enjoying the passage of time and its fluctuations under the hypnotic cobalt blue ranges of the unique skies of Madrid.