Oku/Buttondesign公寓
Apartment in Oku / Buttondesign
空间与自然的巧妙融合:该项目最显著的亮点在于其对“开放性”的重新定义。设计师并未拘泥于传统的空间面积概念,而是巧妙地将室外景观和自然元素融入室内生活。通过三面阳台的设计,引入充足的阳光和空气流通,创造出明亮通风的居住环境。更令人称道的是,设计师在设计初期就介入项目,与客户共同探讨设计可行性,并提供规划支持。这种前置的设计介入,保证了设计理念与客户需求的深度契合,也为后续的创新奠定了坚实的基础。这种对自然和生活方式的尊重,赋予了公寓独特的生命力。
材料与感官的细致雕琢:项目在材料选择和细节处理上展现出对人体感官的深刻理解。设计师不仅仅关注视觉效果,更注重触觉、温度和呼吸感受。地板采用特殊的砾石饰面,模拟自然环境,鼓励人们赤脚行走,唤醒童年时期的美好记忆。同时,羊毛地毯的运用,在不同区域之间创造出触感上的差异,丰富了空间层次。精心隔热的地板设计,使温度与室内环境保持一致,但却带来自然的凉爽感和微妙的不平整感,进一步强化了与自然的联系。这种对感官体验的极致追求,提升了居住的舒适度和品质。
设计理念的深度挖掘与实践:该项目不仅仅是简单的室内翻新,更是一次对生活方式和设计理念的深刻探索。设计师力求在有限的公寓空间内,创造出超越传统意义上的“开放性”。通过对材料、光线、通风等元素的精妙运用,以及对人体感官的细致考量,将室内空间与外部环境紧密结合,打造出一种与众不同的居住体验。项目强调舒适感与自然感的融合,而非一味追求奢华。这种设计理念的深度挖掘,以及在实践中的大胆尝试,体现了设计师对建筑本质的深刻理解和对未来居住方式的积极探索,为类似改造项目提供了有益的借鉴。
© Masaki Komatsu
© Masaki Komatsu
建筑师提供的文字描述这是东京荒川区一栋有40年历史的公寓楼的翻修工程。一个三口之家生活在一个阳光明媚、通风良好的环境中,周围有位于建筑角落的三面阳台。在装修的情况下,不可能从头开始自由控制照明和通风。因此,我们甚至在购买房产之前就参与了该项目,以检查客户的理想设计是否可行,并提供简单的规划支持来帮助客户做出决定。
Text description provided by the architects. This is a renovation of a 40-year-old apartment building in Arakawa-ku, Tokyo. A family of three lives in a sunny and airy environment surrounded by balconies on three sides located at the corner of the building. In the case of renovation, it is not possible to freely control lighting and ventilation from scratch. Therefore, we became involved in the project even before the property was purchased to examine whether the client's ideal design was possible and provided simple planning support to help the client decide.
© Masaki Komatsu
Plan
© Masaki Komatsu
客户要求,即使这是一套公寓,空间也应该是开放的。为了满足这一要求,我们觉得我们通常重视的东西自然适用。这是一种观点,即“开放性”不仅仅是由内部的占地面积来定义的,而是通过将与外界和风景的联系融入到一个人的生活中来创造空间的扩展性。我们试图提出一个只有我们在室内设计中具有建筑思维的人才能提出的建议。
The client requested that even though it was an apartment, the space should be open. To meet this request, we felt that what we usually value naturally applied. That is the idea that "openness" is not simply defined by the floor space of the interior, but that spatial expansiveness is created by incorporating the connection to the outside and the scenery into one's life. We attempted to make a proposal that only we, who design with an architectural mindset in interior design, could make.
© Masaki Komatsu
© Masaki Komatsu
在这个项目中,我们专注于通过人体皮肤感受到的感觉。除了视觉,我们通过呼吸的空气和皮肤上的温度来感受室内和室外的差异。我们还感觉到踩到脚底的感觉。我有过想在大自然中脱鞋的经历,所以我在地板材料中加入了一种褪色的砾石饰面,这种材料不在室内使用,人们大部分时间都不穿鞋。我想把小时候赤脚在外面跑来跑去的感觉带进来。
In this project, we focused on the sensations felt through the human skin. Apart from the sense of sight, we feel the difference between indoors and outdoors through the air we breathe and the temperature we feel on our skin. We also feel the sensation of stepping on the soles of our feet. I have had the experience of wanting to take off my shoes in nature, so I incorporated a washed-out gravel finish into the flooring material, which is not used indoors, where people spend most of their time without shoes. I wanted to bring in the feeling of running around outside barefoot as a child.
© Masaki Komatsu
© Masaki Komatsu
© Masaki Komatsu
为了实现这一目标,我们与抹灰工合作,对砾石进行了微妙的调整,使其不会干扰日常生活,并且将不均匀性保持在不会引起不安的水平。结果是一种舒适的感觉,就像你赤脚走在一块平坦的巨石上。羊毛地毯被放置在人们坐在地板上的地方,在脚下创造出一种不同的感觉,并将一个房间内的不同区域分开。
To achieve this, we worked with the plasterer to create a subtle adjustment of the gravel so that it would not interfere with everyday life, and the unevenness was kept to a level that would not cause uneasiness. The result is a comfortable feeling as if you were walking barefoot on a flat monolith. Wool carpets are placed in areas where people spend time sitting on the floor, creating a different feeling underfoot and separating the different areas within the one-room space.
© Masaki Komatsu
地板经过精心隔热处理,温度几乎与房间内的温度相同,但凉爽的感觉和微妙的不均匀感唤起了在大自然中度过时光的感觉,带来了一种不同于空间宽敞的开放感。这在日本不是一种常见的做法,那里的人们没有鞋子,但一层地板的完成可以改变生活质量。一个只追求舒适的家不一定是富裕的家。这个项目试图在贴近人类感官的同时回归生活方式。
The floor is carefully insulated so that the temperature is almost the same as inside the room, but the pleasantly cool feeling and delicate unevenness evoke the sensation of spending time in nature, leading to a sense of openness that is different from the spaciousness of the space. This is not a common practice in Japan, where people live without shoes, but the quality of life could be changed with a single-floor finish. A home that seeks only comfort is not necessarily a rich home. This project was an attempt to return to the way of living while staying close to the human senses.
© Masaki Komatsu