Flix House/gon建筑师事务所

Flix House/gon建筑师事务所
Flix House / gon architects

空间利用的精巧与创新：这个项目最令人印象深刻的，在于它在有限的42平方米空间内的极致利用。建筑师将空间划分为四个功能明确的区域，通过物理和视觉上的连接，实现了流畅的动线和空间互动。其中，浴室设计尤为出色，采用“雾化”处理，将洗漱区和淋浴区分开，既节约了空间，又满足了不同隐私的需求。入口处的蓝色隧道设计，以及厨房一体化家具的设置，都体现了建筑师对细节的极致追求和对空间高效利用的巧妙构思，充分展现了“麻雀虽小，五脏俱全”的设计理念。

光线和材料的巧妙运用：光线是这个项目的灵魂。建筑师巧妙地利用现有和新增的屋顶窗户，以及透明的入口门，最大限度地引入自然光。浴室的玻璃墙设计，既保证了隐私，又能将光线引入。厨房的超哑光黄色墙面，在视觉上增加了空间的亮度。镜面柜的设计，则通过反射和折射，营造出更加开阔的空间感。这些对于光线和材料的巧妙运用，不仅提升了居住体验，也赋予了空间独特的个性，展现出建筑师对光影的敏锐感知和对材料质感的精准把握，营造出温馨而富有现代感的生活氛围。

细节处理与个性化定制：项目在细节处理上展现出极高的专业水准和个性化定制的考量。从连续的1x1米瓷砖地板到精心挑选的家具，都体现了建筑师对整体风格的统一性和协调性的把握。厨房家具的线性结构，既满足了收纳需求，又成为空间中的视觉焦点。夜晚，淋浴间化身为一盏灯，照亮整个空间，营造出独特的氛围。这种细致入微的设计，不仅仅是功能的满足，更是一种生活方式的体现，也是建筑师对居住者需求的深刻理解，以及对建筑美学的独特诠释，使得整个项目充满了活力和个性。

建筑师提供的文字描述目前人们对市中心阁楼的看法因其潜在的吸引力而引人注目：它们是高架的地方，漂浮在屋顶上，从街上部分可见的结构，不易接近，有时与波西米亚生活有关。
Text description provided by the architects. The current perception of the attics in the city center stands out for their potentially attractive character: they are elevated places, floating above the rooftops, partially visible structures from the street, not easily accessible, and sometimes associated with a bohemian life.

阁楼的空间布局与建筑的其他楼层非常不同，符合城市对建筑顶部的规定，通常具有倾斜的屋顶和大房间，很少有隔墙，高度较低。
The spatial configuration of the attic, very different from the rest of the building floors, responds to urban regulations for the top of the building, which generally features sloping roofs and large rooms with few partitions and low height.

Plan - Before-after

这是罗伯托的家，Flix房子的主人，这是一栋42米2英寸2英寸的房子，位于马德里市中心一栋建筑的六楼，没有电梯，建于1900年，非常靠近繁忙的卡亚俄广场。
This is Roberto's home, the owner of the Flix house, a 42 m² under-the roof located on the sixth floor without an elevator in a building in the center of Madrid, built in 1900, very close to the busy Callao square.

这座最小尺寸的房子最初的布局分为两个房间，一个是10x4米的长方形（中间有一个壁炉），另一个是3x3米的正方形，都有倾斜的屋顶，但向不同的方向倾斜。这座房子旨在使生活空间从地板上的使用中变得最佳、灵活、多样和明亮，但最重要的是，它占用了整个区域。
With an initial layout of the house organized into two rooms, one rectangular 10x4 meters (with a fireplace in the middle) and another square 3x3 meters, both with sloping roofs but sloping in different directions, this minimal-sized house aims to make the living space optimal, flexible, diverse, and luminous from its use on the floor, but above all from the occupation of the section.

为了实现这一目标，设计了一个分为四个空间区域的房子：四个连续的房间，从北到南，在物理和视觉上相互连接，与卧室/更衣室、入口、工作区/浴室和厨房/客厅/餐厅相对应。
To achieve this, a house is designed that is divided into four spatial areas: four successive rooms connected physically and visually that correspond, from north to south, with the bedroom/dressing room, the entrance, workspace/bathroom, and kitchen/living/dining room.

入口是一个长8.20米的高而细长的空间，外部是一个通往房屋的露台，内部是一个带金属架和圆形窗户的蓝色隧道；试图重现海上船只内部的空间。
The entrance is a high and elongated space of 8.20 meters in length, with an exterior part that is a terrace that provides access to the house, and an interior part that is a blue tunnel with a metal shelf and a circular window; a space that tries to recreate the interior of a ship at sea.

浴室占据了房子的中心，采用雾化设计，即水槽和厕所与淋浴间以90厘米的宽度分开；这种操作有助于最大限度地利用房子的高度，以及在不同隐私程度的区域进行连接。
The bathroom occupies the heart of the house and is designed in an atomized way, that is, separating the sink and toilet from the shower in a width of 90 centimeters; this operation facilitates the maximum use of the height of the house, as well as its articulation in areas with different degrees of privacy.

Axo

水槽和厕所隐藏在一个封闭的空间里，里面有2.10米高的镜子，可以从入口通过其中一扇秘密门进入。这个镜面小屋地理位置优越，扩大了空间，同时根据门是半开、打开还是关闭，提供了多种反射和不同的视觉效果。
The sink and toilet are hidden in a closed volume paneled with mirrors 2.10 meters high, which is accessed from the entrance through a secret door located in one of them. This mirrored cabin, strategically located, enlarges the space while offering a multitude of reflections and different visuals depending on whether the door is half open, open, or closed.

另一方面，淋浴间位于房间内，与房子的其他部分由一堵玻璃墙隔开，白天可以让自然光进入，并在这个空间内提供必要的隐私。
The shower, on the other hand, is inside the room and is separated from the rest of the house by a wall of glass blocks that during the day let in natural light and provide the necessary privacy inside this space.

厨房家具设计为长5.5米、宽60厘米、高2.02米的线性结构，体积可达1167立方米，其中大部分房屋的各种物品、清洁用品、厨房用具、电器和衣物都存放在这里；紧凑的层压HPL超哑光黄色淡色墙壁，为房屋最黑暗的部分带来亮度，由家具（包括船体和门）结合而成，采用标准的市场测量方法，降低了建筑成本。
The kitchen furniture is designed as a linear structure 5.5 meters long, 60 centimeters wide and 2.02 meters high - a volume capable of accommodating up to 1167 m3 - where a large part of the various objects, cleaning products, kitchen utensils, appliances, and clothing of the house are stored, hidden; a compact laminated HPL ultra-matte yellow pale wall that brings brightness to the darkest part of the house and is built from the union of furniture, both the hulls and the doors, with standard market measurements that reduce costs in its construction.

为了增加公寓内自然光和通风的最大入口，除了现有的屋顶窗户外，还增加了两个，一个在卧室，一个是在客厅。房子的入口门被一扇透明玻璃门所取代，当门关闭时，它允许光线通过。
To increase the maximum entry of natural light and ventilation in the apartment, in addition to the existing roof windows, two more are added, one in the bedroom and one in the living room. The entrance door to the house is replaced by a transparent glass one that allows the passage of light when the door is closed.

Section 01

房子里的家具布置在1x1米的连续瓷质地板上，很小但很精确。一张桌子、一张沙发、一张床和四把椅子组成了一个基于设计对象系统的景观，这些对象清晰地表达并限定了房子里的每个不同空间。
The furniture in the house is arranged on a continuous porcelain floor of 1x1 meters and is small but precise. A table, a sofa, a bed, and four chairs make up a landscape based on a system of design objects that articulate and qualify each of the different spaces in the house.

到了晚上，房子就变了。淋浴间变成了一盏灯，照亮了整个家庭空间，就像韦斯·安德森电影中的布景一样，Flix的房子，有着轻便的家具和间接的灯光，似乎漂浮在一个大的倾斜屋顶下。因此，从床上，在所有的寂静中，通过一扇天窗，你可以看到Gran Vía国会大厦上标志性的Schweppes标志，它将我们从马德里带到了天堂。
At night, the house transforms. The shower cabin becomes a lantern that illuminates the entire domestic space and, as if it were a scenography from a Wes Anderson movie, the Flix house, with its light furniture and indirect lights, seems to float under a large sloping roof. And so, from the bed, with all the silence and through one of the skylight windows, you can see the iconic Schweppes sign on the Capitol building on Gran Vía that takes us from Madrid to heaven.