伊比拉皮诺波利斯公寓/安娜萨瓦亚公寓

伊比拉皮诺波利斯公寓/安娜萨瓦亚公寓
Ibiapinópolis Apartment / Ana Sawaia Arquitetura

空间重塑与流畅性：该项目最引人入胜之处在于对原有公寓空间的巧妙重塑。建筑师打破了入口、餐厅和客厅之间的隔墙，将原本封闭的空间转变为开放、通透的共享区域。通过拆除结构表面的覆盖层，设计师大胆地展现了建筑的混凝土结构，使其成为设计语言的一部分。尤其值得称赞的是，设计师通过定制的、带有垂直凹槽的木工面板，巧妙地隐藏了通往厨房、酒窖、入口门和化妆室的门，创造出一种有节奏的视觉效果。这种设计不仅增强了空间的整体性，也优化了流通，使整个公寓的动线更为流畅。

材料的对话与可持续：项目在材料选择和运用上体现了设计师的独到见解。混凝土被巧妙地运用在内置书架、台面以及厨房餐桌等细节之处，赋予空间一种现代感和坚固感。同时，建筑师也注重材料的对话，原始的木地板被修复保留，与现代的混凝土和金属元素形成对比，丰富了空间的层次。更令人印象深刻的是，项目对旧材料的再利用，将浴室中移除的国家洞石大理石回收，用于厨房、服务区和化妆室的水磨石地板。这种可持续设计理念不仅节约了资源，也赋予了空间独特的历史感和故事性，体现了设计师对可持续发展的承诺。

光线与功能的平衡：对于光线的运用是这个项目的另一大亮点。设计师巧妙地利用了滑动门和有线玻璃，将办公室与客厅、厨房与服务区分隔，保证了各个空间之间的连通性，同时也让自然光能够自由穿梭于各个区域，使整个公寓更加明亮和通透。特别是针对厨房区域光线不足的挑战，设计师设计了弯曲的橱柜，不仅提供了充足的存储空间，也优化了流通，克服了原有空间结构的限制。整个项目在满足功能需求的同时，也兼顾了美学上的平衡，每个细节都经过精心考量，体现了设计师对居住品质的极致追求。此外，巴西设计师家具的选择也为空间增添了独特的文化氛围。

建筑师提供的文字描述这套260平方米的公寓位于圣保罗Jardim Paulistano社区一栋1973年的建筑内，位于三楼，客厅的所有窗户都能看到树梢。
Text description provided by the architects. Located in a building from 1973 in the Jardim Paulistano neighborhood in São Paulo, the 260m2 apartment is on the 3rd floor, with a view of the treetops visible through all the windows of the living room.

居民们是一对有两个年幼孩子的夫妇，他们希望将空间扩展到更大的环境中，并将厨房与起居区融为一体。入口大厅、餐厅和客厅的墙壁被拆除。然而，一根1.80米宽的大混凝土柱将厨房和客厅隔开。为了暴露结构，客厅和厨房之间的柱子和横梁上的覆盖物被移除。制作了一个带有垂直凹槽的大型木工面板，展示了一系列通往厨房、酒窖、入口门和化妆室的门，对它们进行了伪装，为这个平面创造了一个有节奏的构图，提供了视觉上的统一，消除了被走廊打断的通道，并改善了流通。
The residents, a couple with two young children, wanted to expand the spaces to larger environments and integrate the kitchen with the living area. Walls in the entrance hall, dining room, and living room were removed. However, a large concrete pillar 1.80m wide separated the kitchen from the living room. With the intention of revealing the structure, the covering on the pillar and beams between the living room and kitchen was removed. A large carpentry panel with vertical grooves was made, showcasing a sequence of doors to the kitchen, wine cellar, entrance door, and powder room, camouflaging them and creating a rhythmic composition for this plane, providing visual unity, removing access interrupted by corridors, and improving circulation flow.

混凝土也出现在现场的内置书架和台面上，3厘米厚的架子上放着餐厅的自助餐和电视柜，配有实心陶阿利木格子门。
Concrete also appears in the on-site built-in bookshelves and countertops, with 3cm thick shelves housing the dining room buffet and TV cabinet, featuring solid Tauari wood lattice doors.

带金属丝玻璃的滑动门将办公室与客厅隔开，将厨房与服务区隔开，让自然光在空间之间穿过。客厅和卧室的原始木地板被修复，阳台地板上安装了一个木甲板。
Sliding doors with wired glass separate the office from the living room and the kitchen from the service area, allowing natural light to pass between the spaces. The original wooden flooring in the living area and bedrooms was restored, and a wooden deck was installed over the balcony floor.

Project

厨房是一个挑战。它几乎没有自然光，而且由于多个接入点，流通占用了太多的空间。为了满足居民的需求，设计了一个弯曲的橱柜，允许流体流通和充足的存储空间，由穿孔和轧制的金属板制成，用于存放电器和照明壁龛。厨房餐桌由混凝土制成，也在现场模制，悬垂高度为1.40米。
The kitchen was a challenge. It had little natural light, and the circulation occupied too much space due to multiple access points. To meet the residents' needs, a curved cabinet was designed to allow fluid circulation and ample storage space, made of perforated and rolled metal sheet, housing appliances and a lit niche. The kitchen table was made of concrete, also molded on-site, with a 1.40m overhang.

从浴室中移除的国家洞石大理石被完全重新使用。它没有被丢弃，而是被用于厨房、服务区和化妆室的水磨石地板的组合中，无论是鹅卵石底座还是各种大小的三角形切割碎片。
The national travertine marble removed from the bathrooms was completely reused. Instead of being discarded, it was used in the composition of terrazzo flooring in the kitchen, service area, and powder room, both in the pebble base and in variously sized triangle-cut shards.

Sketch

家具主要来自巴西设计师，如Gustavo Bittencourt、Domingos Tótora、Sergio Bernardes、Paulo Alves、Estúdio Bola、Luciana Martins、Gerson de Oliveira和Lina Bo Bardi。
The furniture is predominantly from Brazilian designers, such as Gustavo Bittencourt, Domingos Tótora, Sergio Bernardes, Paulo Alves, Estúdio Bola, Luciana Martins, Gerson de Oliveira, and Lina Bo Bardi.