拱形B/W豪斯/DIG建筑师事务所

拱形B/W豪斯/DIG建筑师事务所
Vaulted B/W Haus / DIG Architects

独特设计与挑战并存：这个项目展现了卓越的设计理念和创造力。为满足四口之家的需求，设计师打造了一个整洁舒适、功能规划合理且具有独特美学的空间。从建筑拱顶的运用到各种特色材料的选择，如石笼墙、实心玻璃砖和 Ceppo De Gre 石等，营造出独特的建筑氛围。在设计过程中面临诸多挑战，如拱顶建造和空间规划等，但都通过创造性的解决方案得以克服。整体设计既注重美观，又兼顾实用性和可持续性。

空间与风格的完美融合：该项目以其独特的设计哲学，将空间视为一个整体体积，而非碎片。通过对空间和背景的回应，运用更大的设计理念并细化到微观层面，确保了整个公寓的设计一致性。可持续性成为项目的重要组成部分，各种可持续材料的运用体现了对环境的关注。从客厅到卧室，每个空间都有其独特的特色，同时又相互呼应，共同构成了一个小众、简约且社交的居住空间。

简介：这个空间的主人是一个四口之家。丈夫是一家封闭式基金的创始人，妻子是一名博士学者，她巧妙地帮助他创业。这对夫妇有两个成年的孩子在国外进修。这个家庭的核心要求是拥有一个整洁舒适的空间，强调功能规划，同时具有分离的美学。此外，由于他们的社会性质/地位，他们想要一个包容的空间，可以作为一个完美的娱乐平台。
Brief: The owners of this space are a family of four. The husband is a founder of a closed fund and the wife a PhD scholar ably assists him in his venture. The couple has two grown-up kids doing their advanced studies in foreign countries. The core requirement of this family was to have a clutter-free cozy space with emphasis given on functional planning and at the same time a breakaway aesthetic. Also due to their social nature/status, they wanted a space that was inclusive and could serve as a perfect entertainment pad.

Section

愿景：就目前而言，我们之前与这对夫妇进行了广泛的合作，因此从一开始就有了舒适和相互理解。在整个设计过程中，客户对我们有一定的信任，因为他们多年来看到了我们的工作，并熟悉我们看待室内设计相关事物的独特方式。为了创造这种独特的审美体验，我们从建筑中寻找灵感。经过几次初步讨论，建筑拱顶的想法让我们着迷。因此，我们决定将其作为天花板的主要元素，并与整个空间的开发保持一致，使其更加真实。除此之外，石笼墙、实心玻璃砖和Ceppo De Gre石等元素也具有这种建筑意图。另一方面，我们希望在材料品味上非常吝啬和简约。这就产生了单色空间。因此，我们希望并努力打造一个小众、简约和社交的空间。
Vision: As it stood, we had worked extensively with the couple previously due to which there was that comfort and mutual understanding from the get-go. Throughout the designing process, there was a certain trust that the clients had put in us as they had seen our work over the years and were familiar with the peculiar way we look at things related to interior design. Wanting to create that unique aesthetic experience we looked towards architecture for inspiration. After a few initial discussions, the idea of architectural vaults fascinated us. Thus we decided to use it as a primary element as a part of the ceiling and be consistent with its exploitation throughout the space lending it more authenticity. Along with that elements like gabion wall, solid glass bricks, and Ceppo De Gre stone shared this very architectural intent. On the other hand, we wanted to be pretty miserly and minimalistic with our material palate. This gave rise to a monochromatic space. So as a result we wished for, and worked towards a space that was niche, minimalistic, and social.

Diagram

公寓面积+结构处理方式-这间公寓坐落在孟买的中心郊区，地毯面积为4300平方英尺。我们的工作范围是将公寓从空壳状态设计到完工。现有规划的大部分得以保留，但为了开辟某些重要的空间，进行了更改。主步入式衣柜的尺寸随着浴室空间的增加而增加。面积的增加被安置在隔壁的卧室里，卧室被改建为书房。在客厅空间中，创建了一个壁龛，以容纳一个大小适中的全方位服务的酒吧以及主入口大厅。由此产生的空间增加蔓延到厨房，促使厨房和佣人宿舍一起进行了全面的重新规划。在整个公寓中，计划对墙壁和隔墙进行较小的移动，以提高给定空间的效率。
Apartment size + Way the structure was handled - This apartment is nestled in the central suburb of Mumbai, with a carpet area of 4300sft. Our scope was to design the apartment from the bare shell status to its completion. The bigger chunk of existing planning was maintained however changes were made to open up certain spaces of importance. The master walk-in wardrobe was increased in size along with bathroom space. This increase in area was accommodated in the adjoining bedroom which was converted into a study. In the living room space, an alcove was created to accommodate a decently sized fully serviced bar along with the main entrance lobby. This resultant increase in space spilled over into the kitchen prompting a complete replanning of it along with the servant quarters. Throughout the apartment, smaller shifts of walls and partitions were planned to increase the efficiency of the given space.

Walkthrough -

这间大公寓的地毯面积约为4300平方英尺。当你进入房子时，它的矩形布局在你的左边有一个很大的生活空间。这是房子的支柱，通过一条长长的走廊与私人房间相连。客厅旁边是公寓的主入口，两侧是酒吧和厨房。客厅的扩建部分之一是公寓的主入口和酒吧。这两个次要空间经过精心设计，与中央空间相辅相成。房子的入口是一个延伸到酒吧和厨房的黑色大铲子的一部分。任何属于这个负面空间的便利设施/元素都会比平时受到更多的关注；感觉就像一个漂浮的物体。在主入口对面，入口控制台两侧是一块垂直的磨砂实心砖。这些实心砖是一种有趣的材料选择，因为玻璃及其磨砂性质以有趣的方式折射光线，并在周围产生柔和的光芒。这个隔板将这个黑色的勺子分为入口侧和酒吧侧。这个控制台旁边有一个几何墙装置。客厅是一个巨大的长方体空间。这个长方体的延伸部分变成了一个酒吧、入口和一个大阳台。为了控制这个长方体的比例，天花板被细分为四个象限，拱形天花板在长度侧穿过这些象限。拱顶主要是历史上建筑中使用的建筑元素。通过在整个公寓中使用这些元素，使意图更加真实和现实。投影仪放映发生在这个空间的一端，而餐饮服务单元位于这个长方体的另一端。壁柜中间夹着用于滑动玻璃百叶窗的金属网。
The carpet area of this large apartment is around 4300sft. As you enter the house, its rectangular layout features a large living space on your left. This is the mainstay of the house that connects to the personal rooms by means of a long hallway. Adjoining the living room is the main entrance to the apartment flanked by a bar and kitchen on the rear side of the same. One of the extensions to the living room is the main entrance to the apartment along with a bar. These two secondary spaces are carefully designed in a way that they complement the central space. The entrance of the house is part of a large black scoop that extends to the bar and the kitchen. Any amenity/ element that is part of this negative space gets more attention than usual & feels like a floating mass. Opposite the main entrance an entrance console is flanked by a vertical mass of frosted solid bricks. These solid bricks were an interesting choice of material because the glass and its frosted nature refracts the light in an intriguing manner and create this soft glow around it. This partition divides this black scoop into the entrance side and the bar side. A geometric wall installation sits by the side of this console. The living room is a large cuboidal space. The extensions to this cuboid turn into a bar, entrance, and a large balcony. To control the scale of this cuboid the ceiling has been subdivided into quadrants and the vaulted ceiling cuts through these quadrants on the length side. Vaults are mainly an architectural element used in the construction of buildings throughout history. By utilizing these throughout the apartment, renders the intent more authentic and realistic. Projector screenings happen at one end of this space while a service unit for the dining sits on the other end of this cuboid. The wall cabinets have sandwiched metal mesh used for the sliding glass shutters.

客厅座位的延伸部分朝向餐厅，试图在两者之间建立对话，目的是使用餐不再那么孤立。这种设置更具保护性，可以根据客户的要求，成为一个社交空间，客人可以尽情用餐。此外，由Davide Groppi设计的照明吊坠“月亮”位于空间的中心，将整个空间连接在一起。事实上，从主入口看到月球的景象让游客对太空产生了一点好奇。客厅的座位广场铺有Ceppo De Gre大理石。餐饮和；该地区的其他地方也有浅色的Gre-Ceppo地板。Ceppo De Gre在欧洲广泛用于建筑物的外墙，但在印度却很少使用。这块石头的个性是崎岖的，具有建筑性质。通过为地板和墙壁指定它，我们想给房子一点男性化的感觉，并融入独特的因素。居住和公寓其他部分的物质品味都是用灰度渲染的。为了激发人们对这一计划的兴趣，我们鼓励客户在空间中使用大量的绿色植物。这为空间注入了生命。长长的走廊在序列中首先连接到客房。这是一个简单的干净空间，床头板由RK大理石制成的Cubo花岗岩制成。这里的拱顶宽度较窄。其中一面墙上有一个切口，覆盖着与寺庙空间相同的库博石。这个缺口被双叶滑动百叶窗覆盖，以覆盖寺庙。
The extended portion of living room seating faces towards the dining in an attempt to establish a dialogue between the two, with the intention of making dining a less isolated activity. This setup has more protentional to become a social space with guests spilling over towards dining, in accordance with the client's requirements. Also, the Moon, a lighting pendant designed by Davide Groppi, being central to the space holds the entire space together. In fact the very sight of the Moon from the main entrance sets up the visitor with that bit of curiosity about the space. The seating square of the living room has Ceppo De Gre marble across the floor. The dining & the rest of the area have light Gre Ceppo on the floors too. Ceppo De Gre is used widely in the facades of buildings in Europe but in contrast rarely used in India. The personality of the stone is rugged and of architectural nature. By specifying it for the floors and wall we wanted to give the house a bit of a masculine feel and also incorporate the uniqueness factor. The material palate of living and the rest of the apartment has been rendered in Greyscale. To create interest in this scheme we encouraged the clients to use a lot of plant greens in the space. This infuses life into spaces. The long hallway connects to the guest room first in the sequence. It's a simple clean space with a headboard done in Cubo granite from RK marble. The vaults here are of narrower widths. One of the walls has a cutout cladded in the same Cubo stone housing the temple space. This cutout is covered by double-leaf sliding shutters to cover the temple.

Plan

接下来，在走廊上，你会遇到书房和儿子的房间。这项研究有一个温暖的口感，引入了橡木贴面，因为客户想要一个舒适明亮的空间。书桌放在窗户的两侧，两边都有足够的空间存放书籍、迷你冰箱和打印机等。这项研究本身就是一块从头到尾横跨的长木板，没有任何间断的支撑。入口附近有一张L形沙发，供客人娱乐。书房入口对面是孙的卧室。这个房间有一个舒适的空间，还有一个书房和一把躺椅。房间的气氛舒适，主要是单色材料的口味。以学习桌和扶手椅挂毯的形式引入绿色打破了这种灰度。床头板墙由粗糙的成品花岗岩制成的不等垂直板条制成。每个房间的天花板都是一个大槽的形式，里面有拱顶。此操作将天花板从墙上拆下。接下来是走廊尽头的主人和女儿的卧室。主卧室从通道开始，通道首先通向步入式衣柜+卫生间的入口，然后通向卧室本身。卧室里有一张巨大的四柱床，旁边还有Eames躺椅。床头板墙由底部的磨砂玻璃砖和顶部的灰色贴面条组合而成。玻璃砖可以背光，为空间提供环境光。天花板上的拱顶由天花板两端之间的一根长而张紧的绳索灯照亮。如前所述，一系列三个滑动门为房间的使用创造了一个有趣的场景组合。女儿的卧室有点与众不同，与房子里通常使用的材料口味不同。房间的气氛是明亮的，主要使用白色作为外壳。中间有一张宽大的软垫床，床头板墙覆盖着粗糙的成品花岗岩。研究台悬挂在两条垂直线之间，中间没有间歇支撑。外围的管道空间被大型滑动门隐藏，用于存放各种物品，使其看起来像是移动的墙壁。
Next in the line of hallway you come across study and son's room. The study has a warm palate with the introduction of Oak veneer as Clients wanted a space that was cosy and bright. The study table is placed flanking the window and on either side of it, there is ample storage for books, a mini fridge and printer, etc. The study itself is a long slab of wood spanning from end to end without any intermittent supports. There is an L-shaped sofa close to the entrance for entertaining guests. Opposite the study entrance sits Son's bedroom space. The room has a comfortable space along with a study and an armchair for lounging. The mood of the room is cosy with a predominantly monochrome material palate. This grayscale is broken by the introduction of green color in the form of a study table and tapestry of the armchair. The headboard wall is made of unequal vertical slats of a rugged finished granite stone. The ceiling of each room comes in the form of a large trough that contains the vaults within them. This move detaches the ceiling from the wall. Next in line is the master and Daughters bedroom at the end of the hallway. The master bedroom starts with its passage which leads first to the entrance of the walk-in wardrobe + toilet and then to the bedroom itself. The bedroom has a large four-postered bed along with Eames loungers on its side. The headboard wall is a combination of frosted glass bricks at the bottom and strips of grey veneer on the top. The glass bricks can be backlit lending the ambient light to the space. The vaults in the ceiling are up-lit by a long tensioned rope light between two ends of the ceiling. As mentioned earlier, a series of three sliding doors creates an interesting permutation combination of scenarios for the use of the room. Daughters' bedroom is a bit of breakaway WRT the material palate used in the house in general. The mood of the room is light and bright with the use of white for the shell predominantly. There's a large soft padded bed in the center with the headboard wall cladded in a rugged finished granite. The study table is suspended between two verticals with no intermittent supports in between. The peripheral duct spaces are used for miscellaneous storage hidden by the large sliding door making them look like moving walls.

主要特征-为了延续建筑主题，酒吧被想象成这个巨大的黑色勺子的一部分，从房子的主入口开始，一直延伸到厨房的入口。这条独家新闻的材料是黑色陶瓷地板、黑色PU涂层墙壁和天花板。酒吧本身被概念化为加宾墙的一部分，因为它的外墙。这是通过在金属丝网中捕获随机大小的石头而实现的。除此之外，这种布置可以通过安装在丙烯酸隔板上的一系列LED灯进行背光照明，该隔板支撑着这片非常垂直的石头。在主入口对面的这家酒吧的两侧，有一块磨砂玻璃砖隔断。这个隔断在酒吧和主入口之间创造了这种相互作用。这种玻璃的折射质量照亮了这个原本强烈的空间。
Key features -In continuation of the architectural theme, the bar was imagined as part of this huge black scoop that started at the main entrance of the house and stretched to the entrance to the kitchen. The materiality of this scoop was the black ceramic floor, black PU-coated walls, and ceiling. The bar itself was conceptualized as a part of the Gabion wall for its facia wall. This was made possible by trapping randomly sized stones in the metal wire meshes. In addition to that this arrangement can be backlit by a series of LED lights mounted on an acrylic partition supporting this very vertical mass of stones. Flanking this bar, opposite the main entrance, there is a partition of frosted glass bricks. This partition creates this interplay between the bar and the main entrance. The refractive quality of this glass lightens up this otherwise intense space.

总体主题-如前所述，房子的主要主题是基于其建筑诠释。因此，细分拱顶、石笼墙、实心玻璃砖、黑色勺子、表面粗糙的Ceppo De Gre石和水泥石灰膏的想法有助于实现这一过程的预期结果。
Overall theme -As mentioned earlier the primary theme of the house was based on its architectural interpretation. So the idea of subdivided Vaults, Gabion walls, solid glass bricks, black scoop, Ceppo De Gre stone with rugged finishes, and Cementaceous lime plaster helped realize an expected outcome to the process.

挑战-在设计一个与众不同的空间时，会遇到很多挑战。第一个是建造拱顶。尽管这是对原始形式的再现，但必须采用创造性的解决方案。此外，拱顶内的集成照明在不影响其纯度的情况下也带来了挑战。拱顶的形成是通过创建档案模板来赋予其形状的。集成照明是线性铝通道（充当照明轨道）的结果，该通道由拱顶周围的木框架支撑。我们面临的另一个挑战是规划。原来的布局有5间卧室。客户简报希望我们建造4间卧室和一间书房。在一个独特的空间里，把书房、相邻的卫生间、一个大型主浴室和一个步入式衣柜都雕刻出来，这很棘手。。特别是处理暖通空调、管道等服务。
Challenges -When designing an offbeat space there come a plethora of challenges on the way to deal with. The first of them was the construction of Vaults. Even though a representation of the original form this had to be dealt with creative solutions. Also, the integrated lighting within the vaults without disturbing their purity posed a challenge. The formation of vaults was achieved by creating an archival template to lend its shape. The integrated lighting was a result of a linear aluminum channel (that acted as a lighting track) which was supported by a wooden framework around the vaults themselves. Another challenge came to us in the form of planning. The original layout had 5 bedrooms. The client brief expected us to create 4 bedrooms along with a study. Carving out the study, its adjoining washroom and a large master bathroom along with a walk-in wardrobe in a singular space was tricky.. especially dealing with its services like HVAC, plumbing, etc.

在主卧室里，电视的位置与窗户的位置重叠。此外，窗户两侧的两个延伸壁龛（用作内置书房和延伸储物箱）对卧室的最终用途和整体空间构成了挑战。这个问题通过在滑轨上安装移动壁来解决。其中一个移动的墙壁上有一台电视。根据你放置它们的位置，它们一起创造了各种使用/实用场景的排列组合。主卧室的四柱床后面有一长串实心玻璃砖。这块半透明的砖块被背光照亮。安装并不像维护LED灯那样是一个建筑挑战，由于其长度，LED灯会背光照亮墙壁。这是通过创建滑轨来解决的，滑轨中容纳了线性LED，这可以让我们在维护时无缝地将其拉出。
In the master bedroom, the TV positioning overlapped with the window location. Also, two extended niches on either side of the window (which were used as a built-in study and an extended storage box) posed a challenge in terms of its end use and overall space formation of the bedroom. This issue was solved by having moving walls on sliding tracks. One of the moving walls had a TV traveling along with it. All of them together created a permutation-combination of various scenarios of use/utility depending on where you positioned them. The master bedroom has a long installation of solid glass bricks behind the four-poster bed. This translucent mass of bricks gets backlit. The installation wasn't as much of a construction challenge as the upkeep of LED lights which backlit the wall due to its length. This was solved by creating sliding tracks which accommodated the linear LEDs in them which could allow us to pull them out seamlessly at the time of maintenance.

设计哲学-我们的设计哲学一直是“直呼其本来面目”。当我们想到一个空间时，我们会把它看作一个体积，而不是碎片。很难说公寓的哪个部分/方面代表了我们的标志性风格，因为我们没有使用特定的风格。在大多数情况下，我们试图对空间和背景（如果有的话）做出回应。使用更大的想法并将其分解到微观层面，以确保整个空间的设计一致性，这符合我们的设计理念。
Design Philosophy -Our design philosophy has always been 'call it for what it is. When we think of a space we think of it as a volume and not in fragments. It is very hard to call which part/aspect of the apartment signifies our signature style as we don't work with a particular style. In most of the cases, we try to respond to the space and context if any. Working with a bigger idea and chopping it down to a micro level for consistency in design throughout the space satisfies our design philosophy.

可持续性-由于建筑意图，可持续性自动成为这套公寓的一部分。玻璃砖、石灰膏、各种石头和花岗岩都是可持续的。
Sustainability -Sustainability automatically becomes part of this apartment due to the architectural intent. Glass Bricks, Lime plaster, various stones, and granites, all are sustainable.