丹麦国家舞蹈与编舞中心/Mikkelsen Architects

建筑设计 / 文化建筑 2025-3-4 19:05

丹麦国家舞蹈与编舞中心/Mikkelsen Architects
Dansehallerne National Center for Dance and Choreography / Mikkelsen Architects

设计理念的巧妙融合:丹麦国家舞蹈与编舞中心项目最引人注目的地方在于其对历史建筑的尊重与创新。Mikkelsen Architects 团队成功地将现代舞蹈中心的功能需求融入了原工业建筑 Kedelhuset 的历史框架中。他们没有简单地推倒重建,而是通过“对话”的方式,让新旧元素相互补充。例如,一楼布局围绕中央核心区,舞蹈室等功能向外辐射,既满足了功能需求,又保留了原建筑的空间感。这种尊重历史、注重传承的设计理念,赋予了建筑独特的魅力,也体现了设计师对场所精神的深刻理解。

“盒子”的创新与多功能性:项目中的“黑匣子”舞台设计是另一个亮点。这个“盒子”不仅提供了专业演出所需的舞台和后台设施,更巧妙地融入了工业美学。设计灵感源于原建筑的锅炉,铝制外壳、穿孔板等细节都体现了工业时代的特征。更重要的是,“盒子”的设计具有极高的灵活性,可根据不同演出需求进行调整。可开启的结构、伸缩式看台等设计,使得空间可以灵活转换,满足多种功能需求。这种对多功能性的追求,让建筑能够适应不同的表演形式,也增加了建筑的生命力。

细节的精妙与工业遗产的再利用:除了整体的设计理念和“盒子”的创新外,项目在细节处理上也体现了设计师的用心。设计师充分利用了原建筑的工业元素,例如,通过修复和重新利用高架输送机、楼梯等,将历史遗产融入到现代功能中。这些细节的精妙处理,不仅保留了建筑的历史感,也赋予了空间独特的韵味。此外,屋顶的改造也体现了设计师对声学和美学的平衡。通过对天花板的重新隔热,既保证了良好的声学效果,又保留了原始外观。这些细节的处理,展现了设计师对建筑的整体性和可持续性的思考,也让这个项目更具深度。

© Adam Mørk

© Adam Mørk

建筑师提供的文字描述Text description provided by the architects. Mikkelsen Architects has led the transformation of Kedelhuset into Dansehallerne's new national center for contemporary dance and choreography. Our transformation strategy has been to respect and stage the existing conservation values, with new additions dialoguing with the historical framework so that new and old mutually reinforce each other. The ground floor is arranged around a central core housing a foyer and bar, with dance studios, dressing rooms, and workshops radiating outward.

© Adam Mørk

转型的一个关键特征是Kedelhallen内部的新盒子。这座建筑拥有一个黑匣子舞台、后台设施和额外的门厅,其设计灵感来自该建筑的工业历史。该设计参考了曾经占据该空间的纪念性锅炉,其原始铝包层和穿孔正弦板由吸音矿棉或玻璃板支撑。盒子的透明度微妙地发生了变化,而可打开的部分放大了它的机械特性。盒子的波浪形轮廓唤起了舞台幕布的戏剧性,与大厅的悬垂立面幕布相协调,有助于光线控制和声音调节。这个盒子是为适应性而设计的。大型隔音门将门厅连接到大厅,使空间转变为多功能场所,建筑成为表演的一部分。伸缩式观众看台缩进折叠门后的壁龛中,使包厢在需要时能够呈现统一、中性的立面。
A key feature of the transformation is the new box within Kedelhallen. Housing a black box stage, backstage facilities, and additional foyers, this intervention draws inspiration from the building's industrial past. The design references the monumental boilers that once occupied the space, with its raw aluminum cladding and perforated sine plates backed by acoustically absorbent mineral wool or glass panels. The box's transparency shifts subtly, while openable sections amplify its mechanical character. The wave-like profile of the box evokes the theatricality of a stage curtain, harmonizing with the hall's draped facade curtains that contribute to both light control and acoustic regulation. The box is designed for adaptability. Large sound-insulating doors connect the foyer to the hall, allowing the space to transform into a multifunctional venue where the architecture becomes part of the performance. The telescopic spectator stand retracts into a niche behind folding doors, enabling the box to present a unified, neutral facade when required.

© Adam Mørk

在门厅上方,一个工作室通往大厅,在教育和表演之间架起了一座桥梁。这个空间允许学校团体观察艺术家和技术人员的准备情况,让他们一窥舞蹈世界。盒子的顶部设有一个开放的多功能工作室,可以欣赏到大厅的景色,为创造性使用扩展了空间可能性。在整个项目中,工业遗产得到了保护和重新诠释。由退火钢制成的楼梯和固定装置与原始的黑铁走道相呼应,这些走道曾经通往锅炉,现在是舞台技术人员和表演者的功能元件。经过修复的高架输送机,以前用于运输机械,现在支持大厅的舞台技术,使当代功能与历史逻辑相一致。
Above the foyer, a studio opens to the hall, creating a bridge between education and performance. This space allows school groups to observe the preparation of artists and technicians, offering a glimpse into the world of dance. The roof of the box features an open, multi-purpose studio with views of the hall, extending the spatial possibilities for creative use. Throughout the project, the industrial heritage is preserved and reinterpreted. Stairs and fixtures crafted from annealed steel echo the original black iron walkways, which once accessed the boilers and now serve as functional elements for stage technicians and performers. Restored overhead conveyors, formerly used to transport machinery, now support the hall's stage technology, aligning contemporary function with historical logic.

© Adam Mørk

© Adam Mørk

大厅的屋顶经历了一次重大而微妙的改造。最初未隔热的中央木结构已用隔音矿棉重新隔热,并配有复制原始天花板外观的覆盖条。该解决方案提供了约850平方米的谨慎声学调节,同时保持了大厅的真实美学。由现浇混凝土建造的下屋顶表面在外部进行了隔热处理,以保持原始板模板的视觉完整性。底层的隔音筏独立于柱和梁悬挂,确保空间的工业特征保持不变。整栋建筑的外露装置向Kedelhuset作为生产设施的起源致敬,庆祝其原始、实用的美学。
The hall's roof has undergone a significant yet subtle transformation. The central timber structure, originally uninsulated, has been re-insulated with acoustically dampening mineral wool and finished with cover strips that replicate the original ceiling's appearance. This solution provides approximately 850 m² of discreet acoustic regulation while maintaining the hall's authentic aesthetic. The lower roof surfaces, constructed of in-situ concrete, have been insulated externally to preserve the visual integrity of the original board formwork. Acoustic rafts on the ground floor are suspended independently of columns and beams, ensuring that the industrial character of the space remains intact. Exposed installations throughout the building pay homage to Kedelhuset's origins as a production facility, celebrating its raw, utilitarian aesthetic.

© Adam Mørk

丹麦国家舞蹈与编舞中心/Mikkelsen Architects