特拉维夫雅佛音乐中心/Ifat Finkelman+Dan Hasson

特拉维夫雅佛音乐中心/Ifat Finkelman+Dan Hasson
Music Center Tel Aviv-Yafo / Ifat Finkelman + Dan Hasson

项目亮点：特拉维夫雅佛音乐中心的设计是对历史文脉的尊重与当代功能需求的巧妙结合。设计团队成功地在保留了建筑原有特色的前提下，融入了现代的设计语言和可持续材料。项目最令人印象深刻之处在于其对声学性能的极致追求，从教室的倾斜天花板到大厅的“黑匣子”设计，都体现了设计师对音乐表演环境的深刻理解。此外，项目的另一个亮点在于其对社区的贡献，通过灵活的空间设计，实现多功能用途，延长运营时间，从而确保了持续的社区影响。这种设计理念不仅提升了建筑的价值，也使其成为连接社区的桥梁。

设计精髓：项目的精髓体现在对材料的巧妙运用和对空间的细致处理。低预算的设计策略并没有降低建筑的品质，反而通过单板元素、木毛镶板、铝挡板等可持续材料的组合，赋予了每个空间独特的个性。设计师将音乐元素融入到建筑语言中，例如大厅的圆形铝管设计呼应了乐器的外观，走廊的线性铝挡板天花板则与此相呼应。这种设计手法使得建筑内部空间相互关联，形成一个和谐的序列，营造出一种如同音乐乐章般的流畅感。更重要的是，设计团队在改造过程中注重对原有建筑的“外科拆除”，揭示了建筑的历史层，体现了对历史的尊重。

可持续性与社会意义：特拉维夫雅佛音乐中心在可持续性方面表现出色，采用了低预算且环保的材料，例如木毛镶板、铝挡板和橡胶地板，这不仅降低了建筑的成本，也减少了对环境的影响。更重要的是，该项目具有重要的社会意义。它不仅服务于雅法的弱势群体和特拉维夫的青年，还通过灵活的空间设计，支持各种活动，包括管弦乐队、舞蹈团、戏剧表演等。这种设计能够最大化空间的使用效率，延长运营时间，并为项目的维护和资金支持提供保障。通过音乐教育促进不同文化背景人群的共存，体现了建筑师对社会责任的担当。

建筑师提供的文字描述Text description provided by the architects. The Music Center Tel Aviv-Jaffa is a re-designed Jewish-Arab cultural hub that encourages coexistence through musical education. Situated in the heart of Groningen Garden, it serves diverse young communities in the southern neighborhoods of Tel Aviv-Jaffa. Nestled among eucalyptus trees and constructed in stages, this “garden building” consists of the old wing (1965) — a modernist concrete and silicate structure housing administrative offices, rehearsal halls, and classrooms — and the new wing (1992), which features a lobby, a 385-seat concert hall, and backstage facilities. Originally established as the “Orchestra House,” the building employed a shell and volume approach, with each space defined as a separate acoustic volume. Though it is not listed for municipal preservation, the renovation project seeks to uncover the building’s historical layers and original geometry.

© Aviad Bar Ness

Floor Plan

© Aviad Bar Ness

建筑挑战涉及在适应当代方案需求的同时保持声学质量，以及解决空调和消防等技术和安全问题，同时去除多年来添加的层，并用最少的额外覆层更新原始饰面材料。作为第一阶段，对建筑部分进行了外科拆除：恢复了内外硅酸盐墙；装饰元素、临时画廊和吊顶被拆除；混凝土天花板和横梁暴露在外；额外的房间被拆除；密封的上层看台重新开放。
The architectural challenge involved maintaining acoustic qualities while adapting to contemporary programmatic needs, as well as addressing technical and safety issues such as air conditioning and firefighting, all while removing layers added over the years and renewing original finishing materials with minimal additional cladding. As a first stage, a surgical demolition of building parts was performed: the inner and outer silicate walls were restored; decorative elements, provisional galleries, and dropped ceilings were dismantled; concrete ceilings and beams were exposed; additional rooms were removed; and sealed upper stands were reopened.

© Aviad Bar Ness

新的设计语言采用低预算的方法，采用可持续且具有成本效益的饰面，整合了单板元素、木毛镶板、铝挡板、油毡和橡胶地板。通过材料和颜色的俏皮组合，每个空间都呈现出独特的个性。
Embracing a low-budget approach, the new design language employs a sustainable and cost-effective palette of finishes, integrating veneer elements, wood wool paneling, aluminum baffles, and linoleum and rubber flooring. Through a playful combination of materials and colors, each space takes on a unique character.

© Aviad Bar Ness

尽管建筑的两个部分具有独特的建筑特征，但新的设计创造了一个和谐的相互连接的空间序列。这些旨在被视为音乐片段，其中变化是一种正式的技术，涉及以改变的形式重复材料。因此，教室展示了多种解释：倾斜的天花板与梯形布局相呼应，以提高声学性能，而定制的长凳兼作储物柜。大厅被概念化为木制容器，主厅被设想为一个“黑匣子”，排练厅被日光照亮。
Despite the distinct architectural characteristics of the two parts of the building, the new design creates a harmonious sequence of interconnected spaces. These are intended to be perceived like musical fragments, where variation serves as a formal technique involving the repetition of material in an altered form. Thus, the classrooms showcase numerous interpretations: their sloped ceilings echo their trapezoid layout to enhance acoustic performance, while a custom-made bench doubles as a storage cabinet. The halls are conceptualized as wooden containers, with the main hall envisioned as a “black box” and the rehearsal halls brightened by daylight.

Detail

Floor Plan

主大厅的大厅面向公园，在活动期间作为单独的入口，为聚会提供了一个开放的空间。它的圆形墙壁装饰着铝管，创造出一种让人联想到乐器的外观，与教室走廊上的线性铝挡板天花板相对应。
The lobby of the main hall, which faces the park and serves as a separate entrance during events, provides an open space for gatherings. Its rounded wall is adorned with aluminum pipes, creating an appearance reminiscent of a musical instrument, and corresponding with the linear aluminum baffle ceiling in the classrooms’ corridor.

音乐中心是一个综合设施，为雅法的弱势群体和特拉维夫周边的青年提供服务。它的设计吸引了各种各样的观众，并容纳了管弦乐队、舞蹈团、戏剧表演和租用会议空间的组织等活动，这为维护和项目融资提供了必要的收入。因此，空间设计支持双重用途，如排练课和学前活动，使整个星期都能得到最佳和有效的利用。这种灵活性将营业时间延长到晚上，并确保了持续的社区影响。
The Music Center serves as an integrative facility catering to underprivileged populations in Jaffa and youth from around Tel Aviv. Its design appeals to various audiences and accommodates events such as orchestras, dance groups, theater performances, and organizations renting spaces for conferences, which provides essential income for maintenance and program financing. Consequently, the spatial design supports dual purposes, such as rehearsal classes and preschool activities, enabling optimal and efficient use throughout the week. This flexibility extends operating hours into the evening and ensures a continuous community impact.