2025年伊斯兰艺术双年展舞台设计/OMA

2025年伊斯兰艺术双年展舞台设计/OMA
Scenography for the 2025 Islamic Arts Biennale / OMA

空间叙事的巧妙运用：OMA设计的2025年伊斯兰艺术双年展舞台布景，最突出的亮点在于其对空间叙事的精准把握。通过抽象化的建筑元素，如弯曲的半透明墙、矩形柱森林和褶皱墙，OMA成功地将展览划分为不同的主题区域，并赋予每个区域独特的氛围。这种空间组织不仅引导了参观者的行进路线，也增强了展品的视觉冲击力。特别是在AlBidayah区域，高耸的墙壁放大了展品的纪念性，而AlMadar区域的柱林则创造出一种探索和发现的体验。这种对空间的精心雕琢是整个项目成功的关键。

材料与光线的精妙结合：项目的精髓在于对材料和光线的巧妙运用。OMA选择了一种克制的材料调色板，以各种类型的白色织物为主，通过微妙的照明变化来营造不同的视觉效果。这种极简主义的设计手法，避免了视觉上的干扰，突出了展品本身。同时，黑色橱窗框架的运用，在对比中呼应了许多艺术品和文物的色彩，使展品得以更好地呈现。光线在整个设计中扮演着至关重要的角色，它不仅塑造了空间氛围，也强调了展品的细节，真正实现了光影与艺术品的完美融合。

展陈设计的创新与突破：此次双年展的展陈设计体现了OMA在展览设计领域的创新与突破。例如，AlMuqtani区域采用蝴蝶结形状的布局，打破了传统的展览布局，为参观者带来了全新的视角。AlMidhallah区域将伊斯兰文化花园的概念融入室外空间，创造了一个更亲密和紧凑的展览体验。更值得一提的是，设计团队将SOM的朝觐航站楼天棚巧妙地融入展览之中，充分利用了现有的建筑结构，体现了可持续的设计理念。这种创新性的设计手法，使得整个展览既具有艺术性，又兼顾了功能性和实用性。

建筑师提供的文字描述2025年伊斯兰艺术双年展展出了500多件历史文物和30件当代艺术委托作品，是首届的两倍多。展览分布在五个画廊、两个展馆和SOM朝觐航站楼天棚下的室外空间，分为三个室内区域——AlBidayah（开端）、AlMadar（轨道）和Almuqtani（致敬）——以及室外Almidhallah（天棚）。
Text description provided by the architects. The 2025 Islamic Arts Biennale displays over 500 historical objects and 30 contemporary art commissions—more than double the content of the inaugural edition. Spread across five galleries, two pavilions, and the outdoor spaces under SOM's Hajj Terminal canopy, the exhibition is divided into three indoor areas—AlBidayah (The Beginning), AlMadar (The Orbit), and Almuqtani (Homage)—and the outdoor Almidhallah (The Canopy).

OMA的布景通过抽象形式的环境将展览统一起来，重新诠释了原型建筑元素。材料调色板被刻意限制：各种类型的白色织物贯穿始终，通过照明的微妙变化实现了感知的颜色差异。为了形成对比，玻璃橱窗的框架被漆成黑色，这与许多艺术品和文物的颜色相呼应。
OMA's scenography unifies the exhibition through an environment of abstract forms that reinterprets archetypal architectural elements. The material palette is deliberately restrained: white fabric of various types is used throughout, with perceived color differences achieved through subtle variations in lighting. To create contrast, the frames of the vitrines are painted black, which echoes the color of many artworks and artifacts.

Plan

AlBidayah致力于神圣，由弯曲的半透明墙壁界定的高大空间组成，这些墙壁放大了所展示物品的纪念性。本节的亮点是神圣克尔白的四个Kiswah，这是有史以来第一次完整展出。Al Bidayah包括天棚下的两个展馆，AlMukarramah和AlMunawwarah，展示麦加和麦地那的物品以及当代艺术品。AlMukarramah被设想为一个黑暗的空间，中心有一个发光的白色房间，而AlMunawwarah则有一个自由流动的非线性设计。
AlBidayah, dedicated to the sacred, consists of large and tall spaces defined by curved translucent walls that amplify the monumentality of the objects on display. The highlight of the section is the four Kiswahs of the Holy Kaaba, exhibited for the first time ever in their entirety. AlBidayah includes two pavilions under the canopy, AlMukarramah and AlMunawwarah, which showcase objects from Makkah and Madinah together with contemporary artworks. AlMukarramah is conceived as a dark space with a glowing white room at its center, while AlMunawwarah has a free-flowing, non-linear design.

Model

Al-Madar由21个国家的34个机构提供捐助，以37根抽象矩形柱组成的森林为特色。它们由同心的半透明织物层制成，从下面和里面照亮，作为下面玻璃橱窗的突出物出现，逐渐消失在天花板的黑暗中。专栏的密度有助于游客识别和浏览主题集群，并发现参与机构。
AlMadar, with contributions from 34 institutions in 21 countries, features a forest of 37 abstract rectangular columns. Made of concentric layers of translucent textiles and illuminated from below and within, they emerge as extrusions of the vitrines underneath, gradually fading into the ceiling's darkness. The density of columns helps visitors identify and navigate the thematic clusters and discover the participating institutions.

AlMuqtani的布景设计旨在同等重视本节中展示的两个系列。蝴蝶结形状的布局将画廊分成两个大小相等的三角形，每个三角形代表一个收藏。三角形由对称的褶皱墙定义，这些褶皱墙从视线高度上升到房间的整个高度。每个褶皱都有一个玻璃橱窗，形成了一个无缝的展示正面，只有当参观者在画廊里走动时才能看到。
The scenography of AlMuqtani is designed to give equal importance to the two collections displayed in this section. A bowtie-shaped layout divides the gallery into two triangles of equal size, one for each collection. The triangles are defined by symmetrical pleated walls that ascend from eye level to the full height of the room. Each pleat hosts a vitrine, forming a seamless display front, revealed only as visitors circulate through the gallery.

Model

Al-Midhallah展出了许多以伊斯兰文化花园为主题的特定场所艺术品。我们在2023年的景观干预中增加了大量的种植园，构建了艺术品的摆放位置。它们共同占据了室外空间中心的一个由九个雨棚隔间组成的广场，在展览中创造了一个更紧凑、更亲密的旅程。
AlMidhallah presents a number of site-specific artworks on the theme of gardens in Islamic culture. Extensive plantations have been added to our 2023 landscape intervention, structuring the placement of the artworks. Together, they occupy a square of nine canopy bays in the center of the outdoor space, which creates a more compact and intimate journey through the exhibition.