艺术之家/卡洛斯都灵

艺术之家/卡洛斯都灵
Art House / Kallos Turin

设计概念的创新：Art House项目位于雅典的Filothei社区，一个被严格规划限制的花园绿洲。设计师Kallos Turin将这些限制转化为设计灵感，巧妙地利用混凝土打造了一个密集的立方体建筑。这种设计不仅满足了空间需求，还通过强调立方体的密度和整体感，创造出一种强烈的视觉冲击力。这种将限制转化为机遇的设计思路，展现了设计师对建筑与环境关系的深刻理解。

空间与自然的融合：为了打破立方体的刚性，设计师引入了蜿蜒的流线和环绕的花园。从街道到顶层的循环路径以混凝土曲线的形式呈现，与周边环境自然衔接。与景观设计师Thomas Doxiades合作，打造了一个茂密的本土景观，将建筑与山坡融为一体。这种设计不仅提升了空间的流动性，还通过花园的柔化作用，让建筑与自然环境相得益彰。

生态与未来的展望：项目背后的围栏为自然保护区提供了开放的连接，进一步强化了建筑与自然环境的互动。景观设计暗示了植物最终会覆盖建筑的可能性，这种大胆的设想不仅体现了生态设计的理念，还为建筑的未来赋予了一种动态的生命力。Art House不仅是一个艺术之家，更是一个与自然共生的生态空间。

建筑师提供的文字描述Text description provided by the architects. Art House is built within the green oasis of Filothei, a leafy neighbourhood nestled within the bustling metropolis of Athens. Filothei was developed in the 1920s as a garden oasis and preserved by strict codes constraining what could be built. These codes were at once the limitation and inspiration for the concept that Kallos Turin developed. The client needed enough square footage to house their world-class art collection in a gallery format as well as space for their extended families to converge.

© Ricardo Labougle, Giorgos Sfakianakis

Plan

© Ricardo Labougle, Giorgos Sfakianakis

一个密集的立方体是从代码和空间要求的组合中出现的形状。但Kallos Turin将这些局限性视为一个机会，并决定不仅接受立方体形式，而且通过在浇注混凝土中建造来强调它。混凝土突出了密度和整体感。Kallos Turin明白，这种立方体需要一种箔来抵抗形式的刚性，并使用了两个关键概念来提供阻力：穿过房子的蜿蜒的循环线和周围的花园。
A dense cube was the shape that emerged from this combination of code and spatial requirements. But Kallos Turin saw these limitations as an opportunity and decided not only to embrace the cube form but to emphasize it by building in poured concrete. The concrete accentuates the sense of density and monolithic mass. Kallos Turin understood that this cubic volume needed a foil that pushed back against the rigidity of the form and used two key concepts to provide resistance: the sinuous lines of circulation through the house, and the garden surrounding it.

© Ricardo Labougle, Giorgos Sfakianakis

Section

从街道到现场再到顶层的循环是一条蜿蜒的道路，并以混凝土中一系列微妙的曲线的形式编纂而成。Kallos Turin秉承了Filothei作为花园城市的最初概念，将花园视为对抗形式僵化的一种方式，并与Thomas Doxiades合作，创造了一个种植茂密的本土景观，作为保留下来的山坡的延伸，房屋的立方体从山坡上出现。
The circulation from the street up through the site to the top levels was developed as a winding path and codified in the form of a subtle series of curves in concrete. Embracing the original notion of Filothei as a garden city, Kallos Turin saw the garden as a way to counter the rigidity of the form and worked with Thomas Doxiades to create a densely planted native landscape as an extension of the preserved hillside from which the cube of the house emerges.

后面的围栏为房屋后面的自然保护区提供了一个开放的连接，突显了该物业与其自然环境之间的流动关系。景观暗示了植物最终将完全吞噬建筑的想法。
The fence at the back offers an open connection to the nature preserve behind the house, highlighting the fluid relationship between the property and its natural surroundings. The landscape hints at the idea that the plants will ultimately engulf the architecture entirely.