分离室/工作室RZLBD 10°
10° of Seperation House / Atelier RZLBD
场地与空间布局:10°分离项目位于多伦多霍格斯山谷的富裕社区,其设计充分回应了场地的复杂性。地块呈不规则多边形,前地块线弯曲,且东北角有陡峭森林山,这决定了建筑的弯曲足迹和特定方向。设计师巧妙地将房屋最大占地面积设计为正方形,再分为两个矩形,通过10°旋转形成独特的楔形空间,既解决了场地限制,又创造了宏伟的三层走廊,展现了空间布局的智慧与创新。
材料与细节设计:该项目在材料选择和细节处理上展现了极高的设计水准。手工砖用于外墙,其深色、质朴的质感与周围森林完美融合,尤其在冬季,建筑仿佛成为自然的一部分。楔形空间采用深色灰泥和青铜阳极氧化铝覆层,与砖体形成对比,凸显层次感。内部楔形地板使用梯形水磨石瓷砖,与两侧白橡木地板形成区分,让人直观感受到10°旋转角度。此外,U形楼梯、梯形天窗等细节设计,进一步强化了建筑的空间概念和光影效果。
景观与建筑融合:10°分离项目不仅关注建筑本身,还将景观设计作为重要组成部分。后院被设计成一个庭院,通过混凝土桥面、平台、挡土墙等元素,营造出与森林山相呼应的空间。小屋、特色树、游泳池环绕中间的绿地,形成了一个自然与建筑共生的生态系统。前院的10°直角三角形石板,作为建筑楔形的延伸,为整个项目增添了仪式感。建筑与景观的融合,使该项目成为了一个与自然对话的杰作,展现了建筑的崇高存在感。
© Riley Snelling
© Riley Snelling
建筑师提供的文字描述位于多伦多最富裕的社区之一霍格斯山谷,10°分离是对现有地理环境和场地性质以及客户对养老院需求的简单、理性和道德的回应。
Text description provided by the architects. Located in one of the most affluent neighborhoods in Toronto, the Hoggs Hollow, 10° of Separation is a simple, rational, and ethical response to the existing geographical context and nature of the site, as well as the client's needs for a retirement home.
© Riley Snelling
Plans
© Riley Snelling
该网站呈现出两个主要的复杂性。首先,该地块呈不规则多边形,弯曲的前地块线沿着弯曲的街道延伸。在这样一个杂乱无章的地块形状中,前院退缩和建筑长度等分区细则是由弯曲的前地块线决定的,这造成了弯曲的建筑足迹。其次,经TRCA(多伦多和地区保护局)证实,陡峭的森林山位于地块的东北角,这造成区域洪水线和稳定坡脚的退缩。这种不同寻常的景观决定了建筑和后院的特定方向和布置。
The site exhibited two major complexities. First, the property lot was shaped as an irregular polygon, with a curved front lot line running along the curved street. In such a haphazard shape of a lot, the zoning by-laws such as front yard setback and building length were determined by the curved front lot line, which imposed a curved building footprint. Second, the steep forest hill was located at the northeast corner of the lot, which imposed setbacks from the regional flood line and the stable toe of the slope, confirmed by TRCA (Toronto and Region Conservation Authority). This unusual landscape dictated the particular orientation and arrangement of the building and the rear yard.
© Riley Snelling
© Riley Snelling
为了应对场地的这两个特征,假设房屋的最大占地面积为正方形,将其分为两个相等的16m x 8m矩形,每个矩形垂直于弯曲的前地块线中的一个点,从而形成10°的旋转角度。由旋转引起的两个矩形之间的间隙空间,即所谓的“楔形”,将两个矩形体量连接起来,形成三层楼的宏伟走廊。材料直接表达了这种空间概念。手工砖比普通砖更薄、更长,用于完成两个矩形体量的外墙。选择了一种更质朴、自然和深色的颜色,这样建筑就可以与丰富的森林融为一体,尤其是在冬季。楔形和附录分别采用深色灰泥和深色青铜阳极氧化铝覆层,以补充和注意砖块体积。在内部,楔形地板用大型水磨石瓷砖完成,每块瓷砖都切成梯形,以适应地板的梯形形状。它允许人们体验并真正站在房子里10°的旋转角度,以及区分两侧的两个矩形地板,这两个地板都是用白橡木硬木完成的。
Responding to these two characteristics of the site, the house, assuming its maximum footprint as a square, is divided into two equal, 16m x 8m rectangles, each positioned perpendicularly to a point in the curved front lot line, resulting in a rotation of a 10° angle. The interstitial space between the two rectangles caused by the rotation, the "wedge" as it is termed, connects the two rectangular volumes as a grand hallway on all three floors. Materials express this spatial concept straightforwardly. Handmade brick, which is thinner and longer than a typical brick, is used to finish the exterior walls of the two rectangular volumes. A more earthy, natural, and dark color is chosen so that the buildings can blend with its rich forest, especially during winter. Dark stucco and dark bronze anodized aluminum cladding are used for the wedge and the appendix respectively, to complement and give attention to the brick volumes. Inside, the floor of the wedge is finished with large terrazzo tiles, each cut into a trapezium in order to fit into a trapezoidal shape of the floor. It allows one to experience, and literally stand on, the 10° angle rotation within the house as well as to demarcate the two rectangular floors on both sides, which are finished in white oak hardwood.
© Riley Snelling
该项目具有许多外部和内部设计以及建筑细节。特别是,U形楼梯的设计是为了表达和庆祝10°的角度旋转,通过将两个楼梯段定中心到不同的矩形体积。梯形天窗位于楼梯井的顶部,通过中央空隙将自然光一直带到地下室。在一楼,楼梯的第三步变成了一个内置的长凳,沿着楼梯墙弯曲,充当主入口和家庭办公室之间的候诊室。在外面,两个矩形体量上的所有窗户都凹进了2'以上,主入口凹进了6'以上。通过将多个窗户组合成四个巨大的凹进开口,与建筑物而不是人体相称,太阳在建筑表面投射出巨大、锐利、不间断的光影,与建筑进行亲密的对话。这座房子散发着一种崇高的存在感,抵制了该地区所代表的典型房屋形象,但屈服于自然环境。
The project features many exterior and interior designs and architectural details. Particularly, the U-shaped staircase is designed to express and celebrate the 10° angle rotation, by centering the two staircase flights to different rectangular volumes. The trapezoidal skylight is placed at the top of the staircase shaft, bringing natural light all the way down to the basement through the central void. On the ground floor, the third step of the staircase transforms into a built-in bench, curved along the staircase wall, which acts as a waiting room between the main entry and the home office. On the outside, all the windows on the two rectangular volumes are recessed over 2' and the main entry over 6'. By grouping multiple windows into four massive, recessed openings, scaled to the buildings rather than a human body, the sun casts large, sharp, and uninterrupted light and shadow on the building surfaces, engaging in an intimate conversation with the building. The house exudes a sublime presence, resisting a typical image of a house as represented in the area yet surrendering to the natural environment.
© Riley Snelling
Axo
后院被设计成一个庭院,以庆祝森林山的美丽风景。考虑到从坡脚开始的6米后退,混凝土桥面、平台、挡土墙、一棵特色树、一间小屋和一个游泳池环绕着在中间的一大片绿地。小屋用同样的深色砖砌成,直接面向同一轴线上的森林山和院子。在前院,靠近主入口走道的地方,在地面上竖立了一块4'x 4'的石板,在平面图上切成10°直角三角形,这是建筑楔形的延伸。这块独立的石头是房子里未来的前奏。作为房子的图腾,该项目的名称“10°分离”被凿在石头表面。
The rear yard is designed as a compound that celebrates the beautiful scenery of the forest hill. Respecting the proposed 6m setback from the stable toe of the slope, concrete decks, platforms, retaining walls, a feature tree, a cabana, and a swimming pool encircle a large green area in the middle. The cabana, finished in the same dark brick, directly faces the forest hill and the yard on the same axis. In the front yard, near the main entry walkway is erected a 4' x 4' stone slab above grade, cut into a 10° right triangle in plan, which is an extension of the wedge of the building. This freestanding stone is a prelude to what lies ahead inside the house. As a totem for the house, the name of the project, 10° of Separation, is chiseled on the stone surface.
© Riley Snelling