加州艺术学院/工作室帮

建筑设计 / 教育建筑 2024-12-5 16:14

加州艺术学院/工作室帮
California College of the Arts / Studio Gang

创新设计引领教育新环境:Studio Gang 为加州艺术学院设计的作品极具创新性。新建筑从现有主教学楼延伸而出,创造出充满活力的室内外学习环境。混凝土地面层的设计,围绕共享材料和设备组织,促进了跨学科互动。这种开放、灵活的布局让不同课程彼此可见且可访问,为艺术和设计教育打造了一个动态的环境,激发了新的创作形式。

木结构与可持续发展的融合:建筑中的两个大型木亭是一大亮点。作为加利福尼亚州首批暴露的大型木结构之一,其独特的偏心支撑框架系统展现了自然物质性。同时,设计通过混合大块木材结构和被动设计策略,减少了建筑的碳足迹,支持了可持续发展的承诺。这为未来建筑的可持续发展提供了优秀的范例。

增强社区联系与未来展望:新建筑增强了加州艺术学院与旧金山设计和创新区以及更广泛湾区的联系。通过受欢迎的新街景和旨在增加艺术在更广泛社区中影响的项目,让学院更好地融入环境、创业和创意文化中。此外,建筑还配备了基础设施,为未来实现闭环、净收益建筑奠定了基础,展现了对未来的前瞻性规划。

© Jason O Rear

© Jason O Rear

建筑师提供的文字描述Text description provided by the architects. Studio Gang, the international architecture and urban design firm led by Jeanne Gang, has completed an expansion on the California College of the Arts (CCA) campus in San Francisco. The new building physically extends from CCA's existing main academic building to create a vibrant indoor-outdoor environment for learning and making, strengthening relationships among varied people, ideas, and creative practices. "The design intends to create a dynamic environment for art and design education, while also inspiring new forms of making through unexpected interactions between disciplines," says Jeanne Gang, Founding Partner of Studio Gang. "I'm excited to see how our addition to CCA's campus shapes the future of art and design and adds to San Francisco's storied creative community."

© Jason O Rear

Ground Floor Plan

© Jason O Rear

CCA成立于20世纪初的工艺美术运动期间,现已发展到包括34个艺术和设计学科,从珠宝、陶瓷和纺织品到金属艺术、建筑和动画。作为一个创意生态系统,不同学科可以有效地互动和重叠,这座82305平方英尺的建筑提供了新的艺术制作设施、学习空间和绿地,以支持其多样化的社区。混凝土地面层是室内外工作室的中心,用于更物理密集的创意实践和大规模制造。围绕共享材料和设备组织,这一级别的开放、灵活的计划使不同的课程彼此可见和可访问,促进跨学科互动。两个大型制造厂由混凝土底层雕刻而成,提供了额外的工作空间,使新鲜空气和自然光能够深入室内。
Founded during the Arts and Crafts movement at the turn of the 20th century, CCA has grown to encompass 34 art and design disciplines, from jewelry, ceramics, and textiles to metal arts, architecture, and animation. Conceived as a creative ecosystem where different disciplines can productively interact and overlap, the 82,305-square-foot building provides new art-making facilities, learning spaces, and green spaces that support its diverse community. The concrete ground level is a hub of indoor-outdoor workshops for more physically intensive creative practices and large-scale fabrication. Organized around shared materials and equipment, this level's open, flexible plan makes the different programs visible and accessible to one another, promoting interdisciplinary interaction. Carved out of the concrete lower level, two large maker yards provide additional workspace and enable fresh air and natural light to penetrate deep within the interior.

© Jason O Rear

© Jason O Rear

Section

© Jason O Rear

从建筑的底部出来,两个大型木亭内有教室、艺术工作室和CCA Wattis当代艺术研究所的新家。两个展馆都通向一个绿色的梯田景观,将建筑的上下层连接在一起。他们的深阳台使外部流通以及非正式的学习、工作和社交空间成为可能,在这里,CCA社区可以享受旧金山温和的气候。他们的结构是加利福尼亚州首批暴露的大型木结构之一,包括一种独一无二的偏心支撑框架系统,可以看到它们的自然物质性、横向和重力载荷。通过一个受欢迎的新街景和旨在增加艺术在更广泛社区中影响的项目,新建筑增强了CCA与旧金山设计和创新区以及更广泛的湾区及其环境、创业和创意文化的联系。
Emerging from the building's base, two mass timber pavilions house classrooms, art studios, and the new home of the CCA Wattis Institute for Contemporary Arts. Both pavilions lead onto a green terraced landscape that unites the building's lower and upper levels. Their deep balconies enable exterior circulation as well as informal learning, working, and social spaces where the CCA community can enjoy San Francisco's mild climate. Their structures, which are among the first exposed mass timber structures in California and include a one-of-a-kind eccentric braced frame system, allow their natural materiality and lateral and gravity loads to be visible. Through a welcoming new streetscape and programs that seek to increase the impact of art in the wider community, the new building enhances CCA's connection to San Francisco's design and innovation district as well as the wider Bay Area and its environmental, entrepreneurial, and creative cultures.

© Jason O Rear

该设计还通过服务于环境和体验目的的战略支持CCA对可持续发展的承诺。混合大块木材结构和最小的饰面将建筑的碳足迹减少了几乎一半,几乎是典型基线建筑的一半。重型设备的物理密集型实践具有战略意义,可以将结构载荷和机械基础设施集中在地面上,并随着新需求、介质和技术的发展提供适应性。其他被动设计策略,如自遮阳立面和夜间冲洗通风,可以自然冷却建筑,减少机械系统的尺寸和能源需求。该建筑还配备了基础设施,以便在未来实现闭环、净收益建筑。
The design also supports CCA's commitment to sustainability through strategies that serve environmental and experiential purposes. The hybrid mass timber structure and minimal finishes reduce the building's embodied carbon footprint by almost half that of a typical baseline building. Physically intensive practices with heavy equipment are strategically located to concentrate structural loads and mechanical infrastructure on the ground level as well as provide adaptability as new needs, mediums, and technologies develop. Other passive design strategies, such as self-shading façades and night-flush ventilation, naturally cool the building to reduce the size and energy demand of mechanical systems. The building also has infrastructure in place to enable a closed-loop, net-positive building in the future.

© Jason O Rear

Studio Gang为加州艺术学院设计的作品建立在该公司在加州不断增长的作品组合的基础上,其中包括Verde,这是旧金山新的Mission Rock社区的一座住宅楼,Studio Gang还领导了该住宅楼的设计原则和指导方针的制定;加州大学圣克鲁斯分校Kresge学院的扩建计划、学术楼和三栋住宅楼;以及位于旧金山市中心的高层住宅楼MIRA。
Studio Gang's design for the California College of the Arts builds on the firm's growing portfolio of work in California, which includes Verde, a residential tower in San Francisco's new Mission Rock neighborhood for which Studio Gang also led the development of design principles and guidelines; an expansion plan, academic building, and three residential buildings for Kresge College at the University of California Santa Cruz; and MIRA, a high-rise residential tower in the heart of San Francisco.

© Jason O Rear

加州艺术学院/工作室帮