44莫恩美术馆/Pihlmann建筑师事务所

44莫恩美术馆/Pihlmann建筑师事务所
Kunsthal 44møen / Pihlmann Architects

独特的艺术融合与传承：44 莫恩美术馆展现了对艺术的深刻理解与传承。它将旧有建筑与新的增建部分完美融合，既保留了当地建筑遗产的特色，又注入了当代的艺术元素。通过对旧农舍、铁匠铺等实用建筑的重新利用，形成了多样化的类型集群，体现了对资源的巧妙运用。同时，其反博物馆和前卫的特征，为艺术的创新与发展提供了广阔空间，成为国际艺术的重要展示场所。

材料选择与空间营造：美术馆在材料选择上独具匠心，保持最低限度，采用未镶嵌的当地建筑构件，充分利用其内在品质。工业隔热材料在新大厅的故意暴露，既调节气候又增强声学效果。波纹钢板的运用，从精致到实用，展现了从住宅建筑到展览空间的不同规划目标。新旧建筑的并置，修复与增建的互动，使这个空间成为地方传统与批判性实验共存的文化景观。

建筑师提供的文字描述在莫恩的真诚中，一个转型项目应运而生，与岛上以对必要事物的钦佩为特征的建筑遗产融为一体。它是由创始人深厚的艺术遗产和手头的资源塑造的，并受到工业结构功能的影响，就像展览空间周围的众多谷仓和农场一样。通过修复三座现有建筑并增加两座，开发了一个资源适中但崎岖不平的实质性地方。
Text description provided by the architects. Embedded in the sincerity of Møn, a transformational project emerges, blending with the island’s architectural heritage characterized by admiration for the necessary. It is shaped by the profound artistic legacy of the founders, and the resources at hand, and informed by the functionality of industrial structures, much like the numerous barns and farms around the exhibition space. By restoring three existing buildings and adding two more, a substantial place with modest yet rugged resources is developed.

Axonometry

自2008年成立以来，Kunsthal 44Møen以其实验性但谦逊的方法挑战了主流的话语和观念。由于已故作曲家与FLUXUS艺术家Henning Christiansen、艺术家Bjørn Nørgaard和德国-丹麦艺术家Ursula Reuter Christiansen之间的长期合作，44Møen美术馆应运而生。如今，它已成为由德国联合创始人、策展人和收藏家RenéBlock领导的著名国际艺术空间。
Ever since its establishment in 2008, Kunsthal 44Møen has challenged prevailing discourses and perceptions with its experimental yet unassuming approach. As a result of a longstanding collaboration between the late composer and FLUXUS artist Henning Christiansen, artist Bjørn Nørgaard, and German-Danish artist Ursula Reuter Christiansen, Kunsthal 44Møen emerged. Today, it has become a renowned international art space led by German co-founder, curator, and collector René Block.

Floor Plan Residency

Kunsthal 44反映了艺术内部的变化和不断演变，它拥抱了艺术的短暂性，承认它是一种难以捉摸的事物。该项目旨在提供一个广阔的展览空间，建立一个以创造为中心的环境，并保留FLUXUS的反博物馆和前卫特征，同时建立一个有利于创意流动的环境。
Reflecting the flux and constant evolution within art, Kunsthal 44 embraces the ephemeral nature of art, acknowledging it as an elusive matter. The project aims to provide an expansive exhibition space and establish an environment centered around creating, and preserving the anti-museal and avant-garde characteristics of FLUXUS, while establishing an environment conducive to creative flow.

Section 1

它致力于保护Kunsthal 44的谦逊本质，并继续重新利用以前具有实用功能的建筑，包括一座旧农舍、一座被拆除的农场的遗迹、一名铁匠和一名20世纪70年代的汽车修理工。这些形成了一个多样化的类型集群，在施工开始时就已经很明显了，一幅拼贴画被一个新的声音艺术大厅和一座住宅楼放大，形成了一座与原始乡村布局对齐的中央庭院。大厅让人联想到谷仓，与改造后的汽车修理工相呼应，而住宅则诠释了简陋的农舍。
It is committed to preserving the unassuming essence of Kunsthal 44 and continues repurposing structures that previously served practical functions, including an old farmhouse, remnants of a demolished farm, a blacksmith, and a 1970s auto mechanic. These have shaped a diverse typological cluster, evident already as construction began, a collage which is amplified with a new hall for sound art and a residency building, forming a central courtyard aligned with the original rural layout. The hall, evocative of a barn, echoes the transformed auto mechanic, while the residency interprets the humble farmhouses.

Section 3

kunsthalle及其周边地区的多种遗产在材料的选择上显而易见，有意保持在最低限度，使用未镶嵌的、当地可访问的建筑构件，更重要的是，利用它们在当代规范中通常未得到充分利用的内在品质。例如，工业隔热材料通常隐藏在装饰层后面，故意暴露在新大厅内，不仅可以调节气候，还可以增强专用于声音的空间的声学效果。这两个附加部分都覆盖着不同配置和尺寸的波纹钢板，从更精致到更实用，微妙地揭示了从亲密的住宅建筑到更工业的展览空间的规划目标。
The manifold heritage of the kunsthalle and its surroundings is evident in the choice of materials, intentionally kept to a minimum, employing unembellished, locally accessible construction components and, more importantly, harnessing their inherent qualities which are typically underutilized in contemporary norms. For instance, industrial insulation, most often concealed behind finishing layers, is deliberately exposed within the new hall, serving not only to regulate the climate but also to enhance the acoustics of a space dedicated to sound. Both additions are clad with corrugated steel sheets in varying configurations and dimensions, ranging from the more refined to the rather pragmatic, subtly revealing the programmatic objectives that span from the intimate residential building to the more industrial exhibition space.

Section 2

在新旧并置的过程中，修复工作仔细地保持了现有建筑的特征，而增建部分则被明确地认为是对它们的当代诠释。这种足智多谋和真实性之间的相互作用自然地融入了艺术项目Kunsthal 44，确保它仍然是一个地方传统和批判性实验共存的空间，提升了莫恩的文化景观。
In juxtaposing the old with the new, the restorations carefully maintain the characteristics of the existing buildings, while the additions are clearly recognized as contemporary interpretations of them. This interplay between resourcefulness and authenticity is naturally embedded in the artistic program Kunsthal 44, ensuring that it remains a space where local tradition and critical experimentation coexist, elevating the cultural landscape of Møn.