印度湖屋/PJC建筑

印度湖屋/PJC建筑
Indian Lake House / PJCArchitecture

项目优点：印度湖屋/PJC建筑在设计上充分考虑了业主需求和周边环境。它巧妙融合了业主不同的美学愿景，采用环保的“Shou Sugi Ban”材料，既保持与环境一致又体现独特风格。房屋垂直设计应对分区限制，形式多样且与周边和谐。内部空间布局合理，从三层进入，大教堂天花板采光良好，各层功能明确，卧室与湖景相连，体现了对空间和景观的良好把握。
可提升之处：尽管整体设计出色，但在某些细节上可能还有提升空间。例如，对于不同方向的房屋形式变化，可能需要更细致地考虑如何在保持整体风格统一的前提下，进一步强化各方向的独特性。在材料的使用上，或许可以探索更多本地材料与特色材料的结合，以更好地呼应阿迪朗达克的乡土建筑风格。

PJCArchitecture 为一对退休的歌剧演员夫妇在阿迪朗达克山脉打造了一个轻松的周末度假胜地。按照这对夫妇的要求，即建造一个舒适的家，与周围环境相融合，并提供充足的娱乐空间，PJCArchitecture 巧妙地建造了一座三层、1910 平方英尺（约 177 平方米）的房子，有两间卧室和两个半浴室，还有一个 158 平方英尺（约 14.7 平方米）的船屋，里面有第三间卧室。就像创作一支舞蹈或一首咏叹调一样，这个湖边度假屋的诞生是业主、设计团队和当地工人共同协作的结果。
PJCArchitecture created a relaxing weekend escape in the Adirondacks for husband and wife retired opera performers. Following the couple's directive to create a comfortable home that engages with its surroundings and provides plenty of space for entertaining, PJCA artfully constructed a three-story, 1910-square-foot house with two bedrooms and 2 1/2 bathrooms, as well as a 158-square foot boathouse with a third bedroom. As in the making of a dance or aria, the creation of this lakeside getaway resulted from a collaborative process between the homeowners, design team, and local laborers.

前表演者对艺术有着根深蒂固的敏感性，对物质性和形式也有着强烈的欣赏力。两人都对家的美学有着很强的愿景，一个人喜欢干净的美学，喜欢日本茶馆的简单细节，另一个人则喜欢小屋的感觉，喜欢让人联想到《金色池塘》中的家。PJCA努力调解这些相互冲突的愿景，从两个概念中收集图像，融合两者的元素。
The former performers came to the project with deep-seated sensitivity to the arts and an appreciation for materiality and form. Both had strong visions for the aesthetics of the home, with one favoring a clean-lined aesthetic with the simple detailing of a Japanese Tea House and the other seeking a cottage feel with articulated details reminiscent of the home in "On Golden Pond." PJCA worked diligently to mediate these conflicting visions, gathering imagery from both concepts and merging elements of both.

Floor Plan

他们最终决定用“Shou Sugi Ban”来装饰房子，这是一种环保的、烧焦的木墙板，这对夫妇在日本旅行时曾经历过。这种材料有助于房子与周围环境保持一致，并保持干净的线条。这座房子的设计呼应了阿迪朗达克的乡土建筑——斜屋顶、木墙板和石墙——同时对熟悉的形式和材料进行了新的诠释。
They ultimately decided to clad the house in "Shou Sugi Ban," an eco-friendly, charred wood siding that the couple had experienced in their travels to Japan. The material helps the house cohere with its surroundings and maintain clean lines. The design of the home nods to the vernacular architecture of the Adirondacks—pitched roofs, wood siding, and stone walls—while providing a fresh take on the familiar forms and materials.

房子的位置是一个陡峭的斜坡，上面点缀着高大的树木，一直延伸到湖边，为房子的形式提供了灵感。PJCA受到分区参数的挑战，分区参数只允许占用很小的空间，PJCA垂直设计了房子，创造了三层可居住的空间。房子的形式因观众的接近方向而异。从车道接近时，这座房子看起来像是一座朴素的单层山墙屋顶房屋，体量很小。
The site of the home, a steep slope dotted with tall trees that work their way down to the lakeside, provided inspiration for the home's form. Challenged by zoning parameters which only allowed for a small footprint, PJCA designed the house vertically, creating three stories of habitable space. The form of the house varies dramatically depending upon the viewer's direction of approach. When approaching from the driveway, the home appears as a modest, one-level gable roof home with minimal massing.

过桥到前门后，游客们很好奇地发现，他们在房子的顶层，下面还有两个。从湖边方向走近时，房子看起来像一个高大的形状，与周围的树木和山丘和谐地生长在湖面上。房子的东南角看起来像是一个玻璃和木制的立方体，似乎是从主楼的体量中提取出来的，可以俯瞰湖泊的最佳景色。
Upon crossing the bridge to the front entrance, visitors are intrigued to find that they are on the top level of the home and there are two more below. When approaching from the lakeside direction, the home appears as a tall form that grows up from the lake in harmony with the surrounding trees and hills. The southeast corner of the home reads as a glass and wood cube that appears to be extracted from the massing of the main house, overlooking the best views of the lake.

Floor Plan

进入第三层的家，空间通向主起居区和厨房。大教堂的天花板被从落地窗射入的光线所淹没。中间的雕塑体积与住宅的外部体量相呼应，并组织了空间。淡蓝色的厨房橱柜、带榫槽木板的白色木砌墙和楼梯上的锻造锻铁栏杆都能感受到小屋的美感。
Entering the home on the third level, the space opens up into a main living area and kitchen. The large cathedral ceiling is flooded with light streaming in from floor-to-ceiling windows. A sculptural volume in the middle echoes the exterior massing of the home and organizes the space. The cottage aesthetic is felt in the powder-blue kitchen cabinetry, white wood shiplap walls with tongue-and-groove planks, and forged wrought-iron railings on the stairs.

沿着楼梯往下走，四个天窗的光线照射进来，是面向湖泊的主卧室。这个房间似乎进一步延伸到外部，有一个带纱窗的露台房间。最底层是家庭或客房，以及浴室、洗衣区和机械室。从地板到天花板的滑动门将这一层与广阔的湖景连接起来，并提供通往相邻船屋的通道。
Down the stairs, which are filled with light from four skylights, is the primary bedroom facing the lake. This room seems to extend further into the exterior with a screened terrace room. On the lowest level is the family or guest room, as well as a bathroom, laundry area, and mechanical room. Floor-to-ceiling sliding doors connect this level with the wide vista of the lake and provide access to the adjacent boat house.