Joslyn美术馆/Alley Poyner Macchietto建筑

Joslyn美术馆/Snøhetta+Alley Poyner Macchietto建筑
Joslyn Art Museum / Snøhetta + Alley Poyner Macchietto Architecture

项目创新与设计亮点：该项目展现了卓越的建筑设计理念。新的 Rhonda & Howard Hawks 展馆不仅增加了充足的光线充足的画廊和社区空间，还打造了新的主入口，极大地提升了博物馆的功能性和吸引力。将不同时期的建筑风格巧妙融合，从高耸的中庭到乔治亚粉红色大理石外墙，再到现代感十足的扩建部分，呈现出丰富的历史层次感。同时，底层透明空间的设计以及与现有建筑的过渡处理自然流畅，营造出独特的视觉效果。

空间布局与功能整合：合理的空间布局使得博物馆的各个功能区域相互呼应。增加的展示空间满足了不断增长的永久收藏需求，新的社区空间为公众提供了更多参与艺术活动的机会。入口的重新设计和雕塑花园的打造，增强了游客的抵达体验和空间之间的连通性。无论是室内的画廊、商店、咖啡馆，还是室外的花园和艺术装置，都为人们提供了丰富多样的体验，使博物馆成为一个充满活力和包容性的文化场所。

社会价值与文化意义：坐落在奥马哈市中心的 Joslyn 艺术博物馆，通过此次扩建和翻修，进一步巩固了其作为大平原标志性地标和文化中心的地位。免费向公众开放的设计体现了其对社会的贡献，为不同年龄段的学生和市民提供了接触艺术的机会。同时，项目的实施也为城市的文化建设增添了新的亮点，促进了地区的文化交流和发展，具有重要的社会价值和文化意义。

建筑师提供的文字描述乔斯林艺术博物馆将于2024年9月重新向公众开放，此前进行了扩建、翻修和场地重新设计，旨在重新想象游客如何接近和参与内布拉斯加州最大的艺术博物馆。该项目由Snøhetta与Alley Poyner Macchietto Architecture合作设计，其核心特征是：1-建造新的42000平方英尺的Rhonda&；霍华德·霍克斯展馆，增加了充足的光线充足的画廊、社区空间、一家新的博物馆商店和新的主入口。2-翻修现有建筑，增加教室、翻新的演讲厅和咖啡馆、聚会空间和重新配置的行政楼。3-重组Joslyn的场地，包括三英亩多的恢复活力的公共花园、户外空间和艺术装置，并重新调整入口顺序，将游客带到与扩建中心和新主入口同轴的翻修场地。
Text description provided by the architects. Joslyn Art Museum will reopen to the public in September 2024 following an expansion, renovation, and site redesign conceived to reimagine how visitors approach and engage with Nebraska's largest art museum. Central features of the project, designed by Snøhetta in partnership with Alley Poyner Macchietto Architecture, are: 1- construction of the new 42,000-square-foot Rhonda & Howard Hawks Pavilion, which adds abundant light-filled galleries, community spaces, a new Museum shop, and new main entrance. 2- renovation of existing buildings, which adds classrooms, a refurbished lecture hall and cafe, gathering spaces, and a reconfigured administration wing. 3- reorganization of Joslyn's grounds, featuring more than three acres of rejuvenated public gardens, outdoor spaces, and art installations, and reorientation of the entry sequence to bring visitors into the revamped grounds on axis with the heart of the expansion and the new main entry.

从老鹰馆的深悬挑下方经过后，游客将进入一个高耸的、光线充足的中庭，这个中庭将博物馆的建筑历史与一个缓坡的中央楼梯结合在一起，这个楼梯上升形成了诺曼·福斯特设计的玻璃中庭的延伸，这是博物馆1994年扩建的一部分。楼梯上可以欣赏到1931年Joslyn大楼充满活力的乔治亚粉红色大理石外墙的壮丽景色，这是美国装饰艺术建筑的最佳范例之一，也是博物馆1994年扩建的Walter&；Suzanne Scott Pavilion，福斯特在美国的第一个委员会。该项目还对1931年Joslyn大楼的现有办公空间、演讲厅和工作室进行了修复和现代化改造，并在Scott Pavilion翻修了画廊，更换了山墙玻璃中庭天棚，并对现有的咖啡馆进行了翻修，包括安装了一个新的落地窗，用于采光和欣赏中庭花园的景色。
After passing underneath the deep cantilever of the Hawks Pavilion, visitors will enter a soaring, light-filled atrium that unites the architectural history of the Museum with a gently sloping central staircase that rises to form an extension of the glass atrium designed by Norman Foster as part the Museum's 1994 expansion. The staircase offers stunning views of the vibrant Georgia Pink marble façades of the 1931 Joslyn Building, one of the finest examples of Art Deco architecture in the United States, and the Museum's 1994 expansion, the Walter & Suzanne Scott Pavilion, Foster's first commission in the United States. The project also restores and modernizes existing office spaces, a lecture hall, and studios in the 1931 Joslyn Building and, in the Scott Pavilion, refurbishes galleries, replaces the gabled glass atrium canopy, and renovates the existing cafe including the installation of a new picture window for daylighting and views out into the atrium garden.

乔斯林艺术博物馆坐落在奥马哈市中心的西部边缘，距离中央高中仅几步之遥，中央高中是一所公立高中，有2800多名9至12年级的学生，就在拥有4000多名本科生的私立耶稣会大学的校园以南。为了尊重Joslyn的身份，同时开辟了一个更具渗透性和吸引力的正面，扩建标志着博物馆通过全面重新设计为公众提供艺术的愿景翻开了新的一页。此次扩建建立在Joslyn作为大平原标志性地标和文化中心的丰富历史之上，因为它创造了一个动态、包容的设计，对所有人免费开放。
Joslyn Art Museum sits in the heart of Omaha on the western edge of the city's Downtown, in easy walking distance of Central High School, a public high school with more than 2,800 students in grades 9 through 12, and just south of the campus of Creighton University, a private Jesuit institution with more than 4,000 undergraduate students. Honoring Joslyn's identity while opening a more porous, inviting front, the expansion marks a new chapter in the Museum's vision for public access to the arts through a comprehensive redesign. The expansion builds upon Joslyn's rich history as an iconic landmark and cultural hub in the Great Plains as it creates a dynamic, inclusive design that is open to all free of charge.

42000平方英尺的扩建增加了光线充足的画廊，展示空间增加了40%，旨在满足需求并探索不断增长的永久收藏的可能性。此次扩建重新确立了Joslyn作为奥马哈视觉艺术首选场所的地位，将博物馆场地重新定位为以支持画廊的新社区空间为基础的重新构想的公众抵达序列。虽然现有的建筑似乎固定在地面上，但新建筑漂浮在两个花岗岩花园墙上，一层透明的一楼环绕着一个新的入口中庭、一个博物馆商店和一个多功能社区空间。
The 42,000-square-foot addition adds light-filled galleries, and a 40% increase in display space, designed to meet the demands and explore the possibilities of a growing permanent collection. The expansion renews Joslyn's status as Omaha's premier venue for the visual arts byreorienting the Museum grounds around a reimagined public arrival sequence anchored by new community spaces that support the galleries. While the existing buildings appear anchored to the ground, the new building floats atop two granite garden walls, with a transparent first floor enclosing a new entry atrium, a Museum shop, and a multi-function community space.

这些底层空间通过一条缓坡的无障碍走道逐渐上升到现有建筑的水平。扩建的失重效果让人想起大平原上引人注目的云层，以及草原学校建筑的深悬和水平表达。新立面的水平纹理借鉴了1931年Joslyn大楼纪念性大台阶的堆叠石阶，这些台阶与扩建同时从现有建筑的东侧出现。立面的浅色预制板嵌入了鲜艳的粉红色骨料，反映了现有建筑的Etowah Fleuri（乔治亚粉红色）大理石。
These ground-floor spaces gradually rise to the level of the existing buildings via a gently sloping, accessible walkway. The weightless effect of the expansion recalls the striking cloud formations above the Great Plains, as well as the deep overhangs and horizontal expression of Prairie School architecture. The horizontal texture of the new façade takes its cue from the stacked stone steps of the 1931 Joslyn Building's monumental Grand Steps, which emerge from the east side of the existing buildings in parallel with the expansion. The façade's light-colored precast panels are embedded with vibrant pops of pink aggregate that reflect the Etowah Fleuri (Georgia Pink) marble of the existing buildings.

该设计还阐明了游客的抵达体验，并增加了现有空间之间的连通性。博物馆的主要入口已搬迁到詹姆斯·福斯大道外的场地北侧边缘，导致重新设计的入口车道与一个新的带雕塑的凸起花园和一个新博物馆入口对齐，为博物馆游客创造了一个清晰的前方感和一个全新的开始。新的雕塑花园被重新构想为一系列环绕场地的景观空间和室外“房间”，将建筑和室外空间编织在雕塑家Jesus Moroles的倒影池周围——奥马哈河景，2008-09。
The design also clarifies the visitor arrival experience and increases the connectivity between existing spaces. The primary access to the Museum has been relocated to the northern edge of the site, off James Fous Avenue, leading to a redesigned entry drive that sits in line with a new, raised garden with sculpture and a new Museum entrance, creating a clear sense of front and a fresh beginning for Museum visitors. New sculpture gardens have been reimagined as a sweeping collection of landscape spaces and outdoor "rooms" that wrap around the site, weaving the buildings and outdoor spaces together around the reflecting pool of sculptor Jesús Moroles—The Omaha Riverscape, 2008–09.