终极废墟 - 园林吧

终极废墟
Ultra Ruin

超级废墟的第一个模型是为维多利亚&；伦敦阿尔伯特博物馆，2009年。台湾现在的别墅/废墟就是从这颗种子中成长起来的。“超级废墟”是一种木质建筑有机体，它生长于梯田农场和丛林交汇处一座废弃红砖农舍的废墟上。薄弱的建筑遵循开放形式的原则，并根据对丛林、废墟和当地知识的本能反应在现场即兴创作。该建筑群拥有多种多功能空间和平台，可用于不同的生活功能和冥想。室内和室外空间之间的空间连续性是灵活的——室内是室外的，室内是丛林。“超级废墟”是一种由自然（包括人类）演奏的建筑乐器。主要用户是一个私人家庭，但偶尔也会为更广泛的会议开放空间。
The first model of the Ultra-Ruin was realized for the Victorial & Albert Museum in London, 2009. The now realized villa / ruin in Taiwan has grown out of this seed. Ultra-Ruin is a wooden architectural organism that is growing from the ruins of an abandoned red brick farmhouse in the meeting place of terraced farms and jungle. The weak architecture follows the principles of Open Form and is improvised on the site based on instincts reacting on the presence of jungle, ruin and local knowledge. The complex has a variety of multi-functional spaces and platforms that can be activated for different living functions and for meditation. The spatial continuity between interior and exterior spaces is flexible – also the inside is out and the jungle is in the house. The Ultra-Ruin is an architectural instrument played by nature including human. The main user is a private family, but the space is occasionally opened up for wider meetings.

Ultra Ruin

与工业控制相比，超级毁灭更像是一场有机事故。事故大于建筑控制。建筑控制已经开放，以便让自然介入，让人为错误发生。为了了解事故的动态，必须有人在场。在场是一切艺术的关键。建筑学不是一门独立的语言，建筑学也不是孤立的。建筑需要自然成为自然的一部分。极端破坏是一种破坏后状态，人类回到房屋/废墟，与丛林共享同一空间。
Ultra-Ruin is more of an organic accident, than based on industrial control. Accident is greater than architectural control. Architectural control has been opened up in order to let nature to step in and human error to take place. In order to understand the dynamics of an accident one must be present. To be present is the key of all art. Architecture is not an independent language and architecture is not talking alone. Architecture needs nature to become part of nature. Ultra-Ruin is a post-ruin condition, where human has come back to the house / ruin and share the same space with jungle.

自2009年以来，Ultra Ruint一直在与客户进行密切且持续的对话。建筑界的第一个反应是搭建一张桌子，我们可以围绕它交谈。然后为这张桌子搭建一个庇护所。其余的超级废墟都是围绕着这一最初的冲击而形成的。我们仍在继续讨论，超级毁灭作为一种开放形式不断发展。
The Ultra-Ruin has been developed in close and still ongoing dialog with the client since 2009. The first architectural reaction was to build a table around which we could talk. Then to build a shelter for this table. The rest of the Ultra-Ruin has grown up around this initial impact. We still keep talking and the Ultra-Ruin keeps growing as an open form.

建筑师：Marco Casagrande
项目经理：Nikita Wu
C-LAB团队：Frank Chen，Yu Chen Chiu
地点：台湾台北阳明山
地点：废弃农舍废墟和周围的梯田农场
内部空间：210 m2
梯田：520 m2
材料：桃花心木、契尔科娃、樟树、台柏、青铜、钢铁、石头、，砖块
完成日期：2013
照片：AdDa Zei
Architect: Marco Casagrande
Project Manager: Nikita Wu
C-LAB team: Frank Chen, Yu-Chen Chiu
Location: Yangming Mountain, Taipei, Taiwan
Site: ruin of an abandoned farm house and surrounding terraced farms
Interior space: 210 m2
Terraces: 520 m2
Materials: Mahogany, Zelkova, Camphor, Taiwan Cypress, bronze, steel, stone, brick
Completed: 2013
Photos: AdDa Zei

COMMEDIA DELL’ARCHITETTURA

架构给出命令，架构师倾听。事实上，大自然发出了指令，建筑也形成了形式。建筑师是一个设计萨满，与这个现实沟通。设计不能取代现实、自然。为了让大自然介入，人类的控制必须开放。建筑必须被摧毁。当人为因素成为自然的一部分时，便是毁灭。
Architecture gives the commands and architects listen. Actually nature gives the commands and architecture takes form. Architect is a design shaman that communicates with this reality. Design cannot replace reality, nature. Human control must be opened up in order to let nature step in. Architecture must be ruined. Ruin is when man-made has become part of nature.

在场是一切艺术的关键。建筑师是一种特定于场地的工具，通过它，建筑的伟大声音开始产生共鸣并找到形式。这个伟大的声音是微弱的，需要伟大的存在、牺牲和敏感才能被听到。建筑师是一个敏感的人听到这个声音，并保护声音。建筑要么是，要么不是。这是无法推测的。建筑是真实的现实。
To be present is the key of all art. Architect is a site-specific instrument through whom the great voice of architecture starts to resonate and find form. This great voice is weak and needs great presence, sacrifice and sensitivity to be heard. Architect is one of the sensitive beings to hear this voice and protect the sound. Architecture either is or it isn’t. It cannot be speculated. Architecture is a real reality.

“What really happened to Porcupine?”
“One day he came back from the Zone and became amazingly rich, amazingly rich. The next week he hanged himself.” – Stalker, Tarkovsky

人们生活在空间中，这种联系可以是艺术，一种比设计更高的东西。建筑是一种意外，它比人类的控制更重要。为了理解事故并让生命贯穿其中，必须有人在场。在场是一切艺术的关键。人类控制的这条裂缝是建筑有机体生长的穴位。生物城市化是一座充满裂缝的城市。建筑是人与自然之间的调停者，它将人的自然与其他自然、现实联系起来。建筑是现实的艺术。
People live in space and this connection can be art, a higher thing than what could be designed. Architecture is an accident, which is a higher thing than human control. In order to understand the accident and to let life run through it one must be present. To be present is the key of all art. This crack in human control is the acupuncture point through which the organism of architecture can grow. Biourbanism is the city of cracks. Architecture is a mediator between man and nature, connecting human nature with the rest of nature, reality. Architecture is the art of reality.