欧洲21 - 园林吧

欧洲21
Europaallee 21

All of a sudden: silence.
The intimacy of a public space

在欧罗巴艾勒和拉格斯特拉斯的主要城市空间之间，有一个庭院，它巧妙地融入了新城区公共空间的结构中。小巷穿过紧凑的街区，与通往周围林荫道的石地毯交织在一起。清扫拱门入口通向庭院，充当两个世界之间的大门，具有完全不同的机制。走出喧嚣，进入平静，离开大城市，走向村庄，从运动走向静止。庭院是一个约30 x 30 x 30米的紧凑立方体，体现了神圣感。它是通过各种建筑立面的修复而形成的，这些建筑立面在材料和地形设计方面形成了鲜明的对比。这些表面补充了轻质贝壳石灰石地板，这是一个内置的水功能的家。不断变化的光线以动态模式反射在立面上，使空间充满戏剧性的运动。
Between the dominant urban spaces of Europaalle and Lagerstrasse, there is a courtyard that discreetly blends into the fabric of the public spaces of the new city district. Alleyways cut through the compact block and intertwine with the stone carpets that lead out to the surrounding boulevards. Sweeping archway entrances lead into the courtyard and act as gates between two worlds with completely different mechanics. Stepping out of the bustle and into the calm, leaving the big city for the village, going from motion to a standstill. The courtyard, a compact cube of approximately 30 x 30 x 30 metres, embodies a sense of sanctity. It has been created through the convalescence of various architectural facades that stand in stark contrast to one another in terms of material and topographical design. These surfaces complement the light shell limestone floor, which is home to a built-in water feature. The ever-changing light reflects in dynamic patterns against the facades, imbuing the space with theatrical movement.

Europaallee 21

高效的空间和表面材料对细节的关注创造了一种强烈的存在感，作为逃离城市喧嚣的一种方式。通过明确区分这一空间和周围环境，庭院实现了公共空间中罕见的宁静。这种宁静被疏远感、亲密感和轻微的不安感所削弱。一阵低语打破了突然的寂静，水中闪现着一丝青苔和蕨类植物的霉味。这个空间让人沉溺于感官，在一个由工作鼓声推动的世界里，提供片刻的休息。在设计元素中体现出一种平静的感觉，这些元素被简化为石头、水、蕨类植物，再加上一点时间和耐心，一块缓慢生长的苔藓地毯。故意避免使用任何其他类型的家具。
The efficient space and attention to detail evident in the surface materials create a strong presence that serves as an escape from the flurry of the city. By making a clear distinction between this space and the surroundings, the courtyard manages to achieve a peacefulness uncommon in public spaces. This tranquillity is undercut by a sense of alienation, intimacy and slight unease. The sudden silence is broken by a murmur, a glint in the water, the slightly musty smell of moss and fern. The space indulges the senses, offering a moment of respite in a world driven ever onwards by the beat of the work drum. A sense of calm is reflected in the design elements, which have been reduced to stone, water, fern and – with a bit of time and patience – a slow-growing moss carpet. Furnishings of any other kind have been deliberately avoided.

破碎的贝壳状石灰岩板，切割成适合地板的尺寸，使人联想起一幅庆祝石头和水相互作用的风景。事实上，它的尺寸似乎随着每个角度而变化。通过强大的正面和内部，它创造了一个空间分割，苔藓覆盖岩石浮雕的微型形式，邀请过渡和暂停。相比之下，从上面的一个视图显示了一个抽象的图像，交替的石板根据光线的反射改变了它们的表达。
The cracked shell limestone slabs, cut to size for the floor, conjure up a landscape that celebrates the interplay of stone and water. Indeed, its dimensions seem to change with each angle. Through the powerful facades and from the inside, it creates a spatially divided, moss-covered rocky relief in miniature form that invites transition and pause. In contrast, a view from above reveals an abstract image of alternating stone slabs that alter their expression according to reflections of the light.

Landscape: Studio Vulkan Lanschaftsarchitektur
Location: Europaallee 21, Zurich, Switzerland
Project phases: Construction 2012-2013
Contractor: UBS, Implenia Schweiz AG
Architect: Max Dudler, Gigon Guyer, David Chipperfield
Photography: Stefan Müller, Daniela Valentini