S:t Johannesplan&Konsthallstorget

S:t Johannesplan&Konsthallstorget
S:t Johannesplan & Konsthallstorget

白色阿基特克特：马尔默市中心的三角区曾经是一个安静的地方，与繁忙的主要街道分开。新的城市隧道站已将该地区改造为该地区37000名通勤者的交通枢纽。今天，它是这个城市最热闹的客厅之一。为了满足这些新的人流和他们的需求，马尔默市宣布举办一场竞赛，设计三角洲周围的新城市空间。在这里，怀特创造了两个相互连接的空间，这两个空间在工作日的高峰时间和平静的周日早晨都能正常工作。
White arkitekter: The Triangeln area in central Malmö used to be a quiet place, set apart from the busy main streets. The new City Tunnel station has transformed the area to become a hub for the region’s 37,000 commuters. Today, it is one of the city’s liveliest living rooms. In order to meet these new streams of people and their needs, the City of Malmö announced a competition to design new urban spaces around Triangeln. Here, White has created two connected spaces that work as well during weekday rush-hours as during peaceful Sunday mornings.

S:t Johannesplan & Konsthallstorget

尼尔斯·德·布鲁因，白色阿基特克特
“We see the area around the Triangeln station as an ’open stage’ for everyone to share. A single floor of beautiful in-situ concrete and common details including lighting and seating unify the sequence of spaces. The vision is an elegant floor containing everyday luxury.”
Niels De Bruin, White Arkitekter

At Konsthallstorget (the Art Gallery Square) we have created a generous public space. The art gallery is one of Malmö’s most renowned buildings. Designed by Klas Anselm and completed in 1975, the building is now listed. The staff of the Art Gallery have been active in the stakeholder process.

Konsthall广场有一个由2×3m单元组成的柔性混凝土地板。地板很容易变换或替换部分表面，用于展览和临时活动。这已经植根于马尔默的居民，他们利用广场进行滑板、电影制作和表演。有一个30平方米的儿童游戏喷泉区和一个高架混凝土圆盘，用作长凳或舞台。当黑暗降临时，圆盘变成一个发光的平台。
The Konsthall Square has a flexible concrete floor formed from 2×3m units. The floor is easy to transform or replace parts of the surface for exhibitions and temporary events. This is already rooted in Malmö’s residents, who use the square for skateboarding, filmmaking and performances. There is a 30 m2 water fountain area for children’s play and an elevated concrete disc, to be used as a bench or a stage. The disc becomes a luminous plateau as dark falls.

怀特·阿基特克特（White Arkitekter）是城市和教会这两大利益相关者之间的调解人。由于城市和教会之间的密切合作，我们设法消除了城市拥有的公共领域和教会拥有的区域之间的所有可见边界。艺术家Ebba Matz一直是设计团队不可或缺的一部分，她的主要贡献是通往圣约翰教堂（也称为玫瑰教堂）的荆棘状道路系统。这是马尔默的贾根德教堂，图案的设计灵感来自贾根德时代对自然的表现。
White Arkitekter have been mediator between the two major stakeholders, the City and the Church. As a result of the close co-operation between the City and the Church we managed to erase all visible borders between the public realm owned by the City and the areas owned by the Church. The artist Ebba Matz has been working as an integral part of the design team, her major contribution being the thorn shaped system of pathways leading the way to St. Johannes Church, also known as The Church of Roses. It is Malmö’s Jugend church and the pattern was designed with inspiration from the representation of nature during the Jugend era.

该项目展示了马尔默对可持续城市发展的承诺，通过火车、公共汽车和自行车促进公共和主动交通，以及环境工程师参与所有关键决策，例如照明和材料选择。公共交通基础设施的设计是该项目的组成部分，其原则是共享空间，使行人能够在繁忙的城市中心自由移动。
This project showcases Malmö’s commitment to sustainable urban development by promoting both public and active transport, by train, bus and bike, and also by the involvement of environmental engineers in all key decisions, for example lighting and choice of materials. The design of the public transport infrastructure is integral to the project, with a principle of shared-space enabling pedestrians to move freely throughout the busy urban centre.

The design team from White included landscape architects, architects, lighting designers, an artist and environmental engineers.

Data

所有其他图片：摄影师汉斯·乔斯顿
Project: S:t Johannesplan & Konsthallstorget
Location: Malmö, Sweden
Client: Malmö stad: Wolfgang Liepack, Caroline Larsson, Camilla Andersson, Elin Einarsson, Johan Moritz
Design Firm: White arkitekter AB
Project completed: 2014
Team: Niels de Bruin, Anna Eklund, Gustav Jarlöv, Andreas Milsta (lighting design), Ebba Matz (artist)
Photo/image 1-2: White arkitekter.
All other images: Photographer Hanns Joosten