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Smedsvig Landskap: Odd Frantzens square: from shadowed courtyard to radiating urban space and main entrance for Media City Bergen
这是该项目的核心挑战：如何将一个黑暗的庭院改造成一个明亮、令人向往的城市空间，配得上卑尔根的新媒体中心？通过使用明亮的鹅卵石地板，但采用比传统鹅卵石稍大的形式和更抛光的表面，我们建立了一个色调的地板。与Zenik的lightning设计师合作，我们设计了灯杆，专门用于支撑藤蔓。这些吸引人的雕塑日夜照亮了房间。黑色花岗岩制成的大型几何形状长椅，座椅采用黑色合成材料，与明亮的地板形成对比，并提供温暖的休息区，由太阳加热。
This was the central challenge of the project: how to transform a dark courtyard into a luminous, desirable, urban space, worthy of the new media hub in Bergen? By applying a bright cobblestone floor, but in a slightly larger format and more polished surfaces than traditional cobblestone, we established a hued floor. In collaboration with lightning designers from Zenisk, we designed luminaire poles, specially constructed to support vines. These appealing sculptures illuminates the room, day and night. Large, geometrically shaped benches in dark granite with seats in black composite, builds a contrast to the bright floor and provides warm rest areas, heated by the sun.
@Paal Hoff
@Paal Hoff
@Paal Hoff
@Paal Hoff
@Paal Hoff
@Paal Hoff
@Paal Hoff
@Paal Hoff
MCB有两个主立面和两条不同街道的入口；拉尔斯·希尔斯门是卑尔根的一条主要街道，有城市轻轨、自行车道、人行道和汽车道；维斯特雷斯特罗姆凯恩是一个长方形的、与世隔绝的庭院，有通往其内部的通道。在卑尔根的城市景观中，无论是正面还是城市空间都是显而易见的。开发和设计这两个空间的方法遵循一个概念，即在室内大中庭和室外公共空间之间建立尽可能好的连接。该设计采用了八角形的形状。这一结构源于建筑物中原有的三座塔楼，通过MCB的重建对其进行了保留和增强。黑色和白色的对比过渡被用于强调建筑和设计，这反过来为建筑内外可以探索的一切建立了一个场景。
MCB has two main facades and entrances from two different streets; Lars Hilles gate is a main street in Bergen, with the city light train, bike lane, walkway and car road; Vestre Strømkaien was an oblong, secluded courtyard, with passage to its inner section. Both facades and urban spaces are readily visible in the Bergen cityscape. The approach for developing and designing these two spaces, follows a concept of establishing the best possible connection between the large atrium inside and the public spaces outside. The design plays on the shape of the octagon. This structure stems from the original three towers in the building, which were kept and enhanced through the reconstruction of MCB. Contrasting transitions in black and white are applied to accentuate architecture and design, which in turn establishes a scene for everything that can be explored both inside and outside of the building.
Vestre Strømkai更名为Odd Frantzens plass，其设计符合共享空间原则。明亮的地板包括黑色三角形，从一个立面延伸到另一个立面，在MCB和海军高中之间的庭院中形成了一个整体。黑色三角形反映了MCB大楼上的三座塔楼。家具的构成反映了内部的概念，并基于整个项目中发现的几何形状。为了吸引人们对新城市空间的关注，吸引人的中心是Zenik设计的灯光设计。灯杆在地板上形成大圆圈；引人注目的设计细节。由于邻近的高层建筑，庭院在白天的大部分时间都处于阴影中。出于这个原因，我们选择不通过植树来增加阴影。取而代之的是，绿色植物由细长的、六米高的钢柱组成，柱上有一个大叶盾叶菊和五叶地锦。随着时间的推移，这些精致的建筑将成长为突出的绿色特征，而不会给公共空间增加更多阴影。
Vestre Strømkai has been renamed Odd Frantzens plass and is designed according to shared space principles. A bright floor including black triangles stretches from one facade to the other and creates an entirety in the court yard between MCB and the marine high school. The black triangles mirror the three towers on the MCB building. The composition of furnishing mirrors the concept inside and is based on the geometrical shapes found throughout the project. To lead attention to the new urban space, the centre of attraction is light design, designed by ZENISK. The luminary poles form large circles on the floor; a design detail that catches the eye. Due to the adjacent tall buildings, the courtyard lies in shadows in large parts of the day. For this reason, we chose to not add more shadow by planting trees. Instead the greenery consists of slender, six meters tall, steel pillars with Aristolochia macrophylla and Parthenocissus quinquefolia. With time, these delicate structures will grow into highlighted, green features, without adding more shadow to the public space.
建成年份：2017年
Short office name: Smedsvig Landskap
Role of your office in the project: Landscape architect
Website: http://www.smedsvig-landskap.no/
Other designers involved in the design of landscape (architects and landscape architects): MAD arkitekter AS
Lightning: Zenisk AS
Gardener/landscape: Wikholm AS
Project location (Street, City, Country): Media City Bergen- Odd Frantzen Plass, Bergen, Norway
Design year: 2014-2017
Year Built: 2017
Photo credit: Paal Hoff
