Yap Maxxi 2013景观小品玫瑰林

景观设计 / 植物造景 2021-8-5 01:49

Yap Maxxi 2013 landscape sketch

位置:意大利

分类:景观植物

内容:实景照片

图片:15张

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景观设计:Bam!
景观时间:2013
图片来源:Alberto Sinigaglia

这是由Bam!设计的Yap Maxxi 2013。位于意大利罗马Maxxi广场的国立21世纪艺术博物馆旁。该作品较复杂,由一个大草坪、大平台和一个较轻的、悬浮的彩色大型体量构成。这个透明的彩色巨大体量,是整个作品的核心,通过他的体积、颜色、娱乐性和产生的光影变化,与艺术馆外部空间相互作用,成为一个别致的休憩的地方。该设计透明、轻薄、柔软、失重的质感,与艺术馆大楼浑厚、坚固、方正、恢弘的艺术馆有着鲜明的对比。晚上,灯光在该体量上打出的光,为下面平台区营造了光雨的效果,也成为夜间艺术馆前的一个小型中心。

译者: 温冷清秋

He is a complex architectural garden made of a lawn, a big platform and a light volume suspended in front of the concrete walls of MAXXI’s galleries. The protagonist of the scene is the large suspended volume, which through its size, color, the recreational use of water and its shadow establishes an interaction with the museum outdoor spaces, receiving its resting places. The transparency and the apparent weightlessness of the installation generates a dialogue and a stimulating contrast with the imposing masses of the museum and its sinuous geometries.
The large volume follows the wind movement, emphasizing the lightness of the materials that compose it. The color and transparency of the material, in contrast to the mineral character of the museum, give amazing color reflections that vary with the incidence of light onto the volume façades, allowing He to change his appearance during the day. As evening falls, He becomes a big suspended lantern, a landmark that enlightens MAXXI and its piazza.
The realization of He is the result of an experimental process and a multidisciplinary approach aimed at esolving both the engineering challenge of suspending the volume upon the square, both the manufacturing of the installation, involving skills, techniques and details typical of rigging, climbing and nautical science. The need to minimize the structures found an answer in a superior ring realized entirely in stretch steelcables, which allows the suspension of the volume. The textile volume have been realized with a material commonly use in agriculture which have been handicraft manufactured with nautical details.
This has made possible the inedited use of the material, whose typical features could not allow the flatness of He’s surfaces, and the interesting moiré effect from the superimposition of fabric. The design of the square is also ruled by the yellow color, by the out-of-scale logic and the use of materials out of their context.
The garden below the textile volume is organized with a wooden platform and a lawn which defines a bank used as an informal seat. The seating system is designed with an ergonomics approach, enhancing the comfort during the layover. On the platform various large seatings are shaped with large backrests ensuring both the comfort of the layover and a playful use.
Along the perimeter of the volume a timed system produces a light rain that drops on the platform underneath, defining the space and refreshing the visitors. In the evening the platform become YAP event stage, recreating a new centrality in the museum square.

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Yap Maxxi 2013景观小品玫瑰林