Aichermagazin展馆/Schnell&联合建筑师+Sunder Plassmann工作室
Aichermagazin Pavilion / Schnell&co architektur + Atelier Sunder-Plassmann
独特的临时展馆设计:Aichermagazin展馆是一个由木头制成且涂成黑色的临时立方体结构,建在细长柱子上,四周有凉棚环绕。地板和天花板为开放式网格,让天气穿过,无入口、门和开放时间,始终对所有人开放。它最初在 Isny im Allgäu 展示关于设计师 Otl Aicher 的展览,后在新地点重建并调整设计,与新环境相得益彰,成为探索与发现之地。
灵活的展览与地域融合:展馆的展览随地点变化而重新设计和重组,图标与当代故事关联,由当地专家讲述。展览可通过音频等方式访问,展示了奥尔高地区的发展、生态等项目。展馆不仅是艺术展示空间,更是与地域紧密融合的文化载体,为人们提供了独特的体验和思考空间。
© Mikael Blomfelt
© Mikael Blomfelt
建筑师提供的文字描述aichermagazin是一个由木头制成并涂成黑色的临时展馆,是一个简单的立方体结构,建在细长的柱子上。四周被凉棚环绕,是一个小型展览空间的所在地。地板和天花板被构造成开放式网格,让天气穿过。没有入口,没有门,没有开放时间。它始终对所有人开放——在一段时间内。
Text description provided by the architects. The aichermagazin is a temporary pavilion made from wood and painted black - a simple cubic structure elevated on slender pillars. Enclosed by a pergola from all sides, it is host to a small exhibition space. The floor and ceiling are constructed as an open grid, allowing the weather to pass through. There is no entrance, no door, no opening hours. It is always open, for everyone - for a certain period of time.
© Mikael Blomfelt
《aichermagazin》最初于2022年春天在Isny im Allgäu构思并安装,展示了一个关于设计师Otl Aicher和他在20世纪70年代为Isny创造的企业形象的展览:一幅城镇、风景和文化的肖像,以136个图标的系列表示,并以黑白插图显示。展览“isnyaicher22”在公共空间和露天展出,在接下来的两年里的夏季吸引了大量观众。2023年底,伊斯尼的建筑终于被拆除,材料被储存起来。2024年,在旺根巴登符腾堡州,有机会给aichermagazin第二次生命。该建筑在重新自然化的阿尔根河沿岸的草地上重建,背景是郁郁葱葱的堤岸,周围环绕着两棵大树。
Originally conceived and installed in the spring of 2022 in Isny im Allgäu, the aichermagazin showed an exhibition about the designer Otl Aicher and the corporate identity he created for Isny in the 1970s: a portrait of the town, the landscape and culture, represented in a series of 136 icons and illustrated in black and white. Shown in public space and in the open air, the exhibition „isnyaicher22" attracted a large audience over the summer month of the following two years. At the end of 2023, the building in Isny was finally dismantled and the material stored. In 2024, on the occasion of the Landesgartenschau Baden-Württemberg in Wangen, the opportunity arose to give a second life to the aichermagazin. The building was rebuilt on the meadows along the renaturalised river Argen, against the backdrop of the lushly overgrown embankment and surrounded by two large trees.
© Mikael Blomfelt
为了适应新的位置,对设计进行了调整和补充:一个平台、一个花园和一条细长的人行天桥以一种有趣的方式与立方体相辅相成,将aichermagazin锚定在新的环境中。作为一种地形景观,没有说教的顺序和方向,事物通过探索来展现自己:一个人走路、坐着、看和听。随着地点的改变,展览本身也进行了重新设计和重组。这些图标已被重新排列,并与当代故事相关联,由当地专家讲述。当地历史学家、生物学家、园丁、农民和气候研究人员报告了奥尔高地区当前的发展、生态、实验和经过验证的项目。展览可通过音频贡献、声明和文本进行访问。
Adjustments and additions were made to the design to accommodate the new location: a platform, a garden and an elongated footbridge complement the cube in a playful manner, anchoring the aichermagazin to the new surroundings. As a topographical landscape, free of didactic sequences and directions, things reveal themselves by exploring: one walks, sits, looks and listens. Following the switch of location, the exhibition itself has also been reworked and restructured. The icons have been rearranged and linked to contemporary stories and told by local experts. Local historians, biologists, gardeners, farmers and climate researchers reported on current developments, ecological, experimental and proven projects implemented in the Allgäu region. The exhibition is accessible via audio contributions, statements and text.
© Mikael Blomfelt