蒂沃利城堡翻修/ARP工作室
Tivoli Castle Renovation / ARP studio
历史与现代的融合：蒂沃利城堡的翻修项目巧妙地将历史建筑与现代功能相结合。通过去除多余的元素和重新开放空间之间的通道，项目不仅恢复了城堡的基本空间设计，还揭示了隐藏在石膏层下的历史画作。这种对历史的尊重与现代需求的满足相结合，使得城堡在保留其历史韵味的同时，也适应了现代的使用需求。公园的光线进入翻修后的房间，照亮了古老的画作，增强了空间的历史感和艺术氛围。
空间的重新定义：在城堡的一楼，两个入口大厅经过翻修，恢复了其历史画作，同时将接待台和小商店移至侧室，使大厅更加宽敞和通透。新窗户的设置加强了前台与大堂的联系，而游客中心的设备则巧妙地隐藏在翻新的木墙后面，既保持了空间的整洁，又满足了功能需求。拱廊走廊的设计不仅连接了接待中心与新电梯，还为游客提供了欣赏公园景色的机会。地下室的改造通过打开空间和统一不同时期的拱门，形成了一个连贯的内部空间，为游客提供了更加便捷的服务设施。
当代元素的巧妙运用：所有新的干预措施都遵循了当代元素的逻辑，这些元素在空间和物质上独立于历史建筑，但又巧妙地融入其中。电梯的设计就是一个典型的例子，它隐藏在建筑西立面的一个延伸部分中，既满足了现代的无障碍需求，又没有改变建筑或其立面的空间逻辑。此外，施工期间拆除的画作被重新陈列在拱廊走廊上，与历史空间形成了对话。这种对当代与历史的平衡处理，使得城堡在满足现代功能的同时，也保留了其独特的文化价值.
© Ana Skobe
© Ana Skobe
建筑师提供的文字描述Text description provided by the architects. Tivoli Castle was first mentioned in the 15th century. After many centuries of renovations and alterations, it was given its present appearance in the 19th century. Since 1986, the castle has been home to the International Centre of Graphic Arts. The castle has adapted to its new content through gallery activities but has never been completely renovated. With partial interventions, the clarity of the basic spatial design has been lost, and many layers of whitewash still cover the historical paintings.
© Ana Skobe
Ground Floor Plan
© Ana Skobe
卢布尔雅那市政府已开始逐步翻修城堡，改善游客接待区。该项目包括三个干预措施：一楼有一个商店的信息中心，地下室有储物柜和厕所，还有一部电梯。干预措施很小，但它们触及了城堡的整个空间故事。该项目始于去除多余的元素，重新开放空间之间的通道，以及在石膏层下发现旧画。当公园的光线进入翻修过的房间并照亮画作时，旧空间变得更加令人回味。任何当代对它们的干预都会受到这种印象的影响。
The Municipality of Ljubljana has started the gradual renovation of the castle by improving the reception areas for visitors. The project consists of three interventions: an information center with a shop on the ground floor, lockers and toilets in the basement, and an elevator. The interventions are small, but they touch the whole spatial story of the castle. The project began with the removal of redundant elements, the reopening of passages between spaces, and the discovery of old paintings under layers of plaster. When light from the park enters the renovated rooms and illuminates the paintings, the old spaces become even more evocative. Any contemporary intervention in them is subject to this impression.
© Ana Skobe
© Ana Skobe
在一楼，两个入口大厅用于接待游客。几十年后，略微拱形的天花板已经恢复到他们的历史画作中。接待台和一家小店已经从大厅搬到了一个侧室。一扇新窗户将前台与大堂连接起来。游客中心的设备隐藏在一堵翻新的木墙后面，这堵墙曾经将厨房与房间的其他部分隔开。一条拱廊走廊将接待中心连接到新电梯，大窗户让游客可以看到公园的景色。在地下室，有新的服务区，为游客提供衣柜储物柜和厕所。地下室被关闭了，但干预打开了空间。不同时期的拱门在材料上与墙壁融为一体，形成了一个单一的内部空间。一个具有新程序的完全独立的元素被插入其中。插入体积的立面由拉丝金属制成，出乎意料地反映了历史结构。
On the ground floor, the two entrance lobbies are used to receive visitors. The slightly vaulted ceilings have been restored to their historic paintings after many decades. The reception desk with a small shop has been moved out of the lobby into a side room. A new window connects the reception with the lobby. The visitor center equipment is hidden behind a refurbished wooden wall that once divided the kitchen from the rest of the room. An arcade corridor connects the reception center to the new lift, and large windows give visitors a view of the park. In the basement, there are new service areas, with wardrobe lockers and toilets for visitors. The basement was closed, but the intervention opened the space. The arches from different periods have been materially unified with the walls to form a single internal volume. A completely independent element with new programs has been inserted into it. The façade of the inserted volume is made of brushed metal, which unexpectedly reflects the historical structures.
© Ana Skobe
Section 1
© Ana Skobe
所有新的干预措施都遵循当代元素的逻辑，这些元素在空间和物质上是独立的，并被放置在建筑的统一主体量中。类似的逻辑也适用于电梯，它隐藏在建筑西立面的一个延伸部分中。这个高度技术性的元素占据了南部扩建的整个体积，但并没有改变建筑或其立面的空间逻辑。施工期间拆除的画作现在陈列在一楼的拱廊走廊上，就在发现它们的房间附近。电梯最终允许行动不便的人进入所有房间。经过翻修的空间已经欢迎游客。
All new interventions follow the logic of contemporary elements, which are spatially and materially independent and are placed in a unified primary volume of the building. A similar logic is applied to the elevator, which is hidden in one of the extensions on the west façade of the building. This highly technical element occupies the entire volume of the southern extension but does not alter the spatial logic of the building or its façade. The paintings removed during construction are now on display in the arcade corridor on the ground floor, in the immediate vicinity of the room where they were discovered. The lift finally allows all the rooms to be accessible to people with reduced mobility. The renovated spaces are already welcoming visitors.
