纸空间：折叠的故乡/即时设计与研究办公室

纸空间：折叠的故乡/即时设计与研究办公室
Paper space : A folded hometown / Immediacy Design and Research Office

独特的设计理念与表现形式：“纸空间：折叠的故乡”以“纸”为载体，通过切割和折叠将二维平面转化为三维空间，与所在城市市场场景形成鲜明对比。其空间尺度借鉴勒·柯布西耶晚年居住的勒·卡瓦农，探讨极限生活水平。设计中对内外意义的反复讨论，使空间成为城市住宅的缩影，展现了从封闭住宅到城市集群的演变，同时通过内置景观呈现精致自然风光，给观众带来沉浸式体验。

深刻的社会意义与创新的施工方式：该作品反映了中国城市化进程中大量年轻人成为“流亡者”的现象。理想公共空间应为这些人寻找归属感，回归公众日常生活，连接自然、社区和街道。施工过程结合工厂预制和现场预制，选用 2mm 厚钢板，模糊设备结构，实现轻薄效果的同时能承受一定重量，满足与观众的互动体验。作品不仅在艺术表现上独具特色，更在社会意义上引发深刻思考。

《纸空间》是2024西安当代设计周首届地球艺术节空间装置作品之一。同年7月，它参加了中国石湾市公共艺术季。这件作品的灵感来自设计师近年来的生活经历。他游历了台北、上海、北京等地，这使他开始关注“故乡”这一命题。故乡并非特指乡村，而是现代人普遍存在的精神缺失。
[Paper Space] is one of the space installation works of THE FIRST ORIGINS EARTH ART FESTIVAL-2024 XIAN CONTEMPORARY DESIGN WEEK. And in July of the same year,it participate in SHIWAN CHINA CITY PUBLIC ART SEASON . The work is inspired by the designer's life experiences in recent years. He has traveled to many places including Taipei, Shanghai and Beijing, which made him pay attention to the proposition of "hometown". Hometown does not specifically refer to the countryside, but a spiritual deficiency that is common among modern people.

在“故乡”和“城市”的过度疏浚中，世界逐渐完全崩溃。在小说《三体》的结尾，歌手文明在太阳系边缘释放了一个双矢量箔。太阳系坍塌成一幅二维的巨型画作。所以，从最后开始，从一张纸开始。
Among the "hometown" and the "city" of excessive dredging, the world gradually collapses completely. At the end of the novel 《Three Body》, the singer civilization released a Dual Vector Foil on the edge of the solar system.The solar system collapsed into a two -dimensional giant painting.So, starting from the end, starting from a piece of paper.

Interior Space

Model 01

该设计以“纸”为载体。通过切割和折叠，它将其从二维平面转换为三维空间。它的抽象感知与场地所在的城市市场场景形成了鲜明对比，旨在为观众提供超越日常的空间体验。空间尺度来自勒·柯布西耶晚年居住的勒·卡瓦农，3.66m*3.66m*2.26m的空间是讨论极限生活水平的重要案例。
The design is based on the "paper" as the carrier. By cutting and folding, it converts it from a two -dimensional plane to a three -dimensional space.Its abstract perception has a great contrast with the city market scene where the venue is located, intending to provide audiences with a space experience beyond daily. The space scale is from Le Cabanon, where Le Corbusier lives in his later years, and the space of 3.66m * 3.66m * 2.26m is an important case for discussing the limit living standard.

在折叠过程中，内外意味的意义反复讨论，内在产生的空间是城市住宅的缩影。门、窗、桌椅、床，以及城市中几乎最封闭的住宅。向外翻转后，住宅的裂变和复制已经成为数千万个城市的集群。这时，压缩的“室内”就出现了，它变成了一个熵不断增加的小土壤。
During the folding process, the meaning of the inside and outside means repeatedly discussed, and the space generated inwardly is the epitome of the urban residence. The doors, windows, tables and chairs, beds, and almost the most closed residences in the city. After flipping outward, the fission and copying of the dwellings have become a cluster of a collection of tens of millions of cities. At this time, the compressed "indoor" appeared at this time, which became a small soil with continuous entropy increases.

内外的定义主要通过场景的形成来实现。外部天花板和地面被封闭在“室内”空间中。强调了通常在室内使用的衣钩和其他组件。内置景观由芦苇和松树皮填充，这与外部感官不同。它真实地展现了精致的自然风光。进入它。柔软的足迹和阳光、微风和鸟鸣声被带到了身临其境的体验中。
The definition of inside and outside is mainly implemented by the formation of the scene. The outward ceilings and the ground are enclosed in the "indoor" space.The coat hooks and other components that are commonly indoor are emphasized. The built -in landscape is filled by reeds and pine bark, which is different from the exterior sensory sense. It truly shows the delicate natural scenes. Enter it. The soft footprint and sunlight, breeze, and bird sounds are brought to the immersive experience.

切割和折叠形成了多个不同大小、高度和形式的洞穴，展示了室内场景的多个视角，从下到上，大地、芦苇、树木、天空，形成了一个梦幻般的框架。
Cutting and folding form multiple caves of different sizes, heights and forms, showing multiple perspectives of the interior scene, from bottom to top, the earth, reeds, trees, sky, form a dream -like frame.

施工过程与工厂预制和现场预制相结合。主体选用2mm厚钢板。薄钢板模糊了设备本身的结构，隐藏了所有节点和结构，实现了纸张的轻薄效果。虽然感觉很薄，但通过结构计算，外部的床和桌椅可以承受最大150kg的重量，这足以实现与观众的互动体验。
The construction process is combined with the prefabrication of the factory and on -site. The main body of the 2mm thick steel plate is selected. The thin steel plate blurred the structure of the device itself, and hidden all nodes and structures to achieve a thin and thin effect of paper. Although the perception is thin, through structural calculation, the external beds and tables and chairs can withstand the weight of the maximum 150kg, which is enough to achieve an interactive experience with the audience.

Folding Analysis Diagram

Concept Collage 03

Model 02

从1990年到2023年，中国的城市化率从26.23%上升到66.16%。大量离开家乡的年轻人进入城市成为“流亡者”。我们所穿的理想公共空间实际上是为这些“流亡者”寻找自己的所有权。在这一点上，公共空间应该与“权利”的属性分开，回归公众的日常生活。它应该把群体行为作为场地精神的精神，把支离破碎的自然、社区和街道联系起来。那么，他们的公共生活和集体记忆是避免人们内心流亡的方式，这也使“城市”最终成为“家”。
From 1990 to 2023, the urbanization rate in China reached 66.16%from 26.23%. A large number of young people who left their hometowns entered the city to become "exiles". The ideal public space we wore actually looked for their own ownership for these "exiles."At this point, the public space should be separated from the attributes of "rights of rights" and returns to the daily life of the public. It should use group behavior as the spirit of the venue spirit, and bond the fragmented nature, community, and streets.Then, the public life and collective memory of them are the way to avoid people's inner exile, which also makes the "city" finally become "home".