白住的房子/ House in Hakusan / KENTA HIRAYAMA ARCHITECT & ASSOCIATES
巧妙设计打造舒适小居:这个位于日本东京市中心的 57 平方米共管公寓单元翻修项目令人眼前一亮。设计师巧妙地利用了阳光充足的角落位置和面向大型植物园的优势,为紧凑的空间带来了丰富的生活环境。通过移除旧装饰材料露出混凝土框架,使新旧材料对比并置,营造出独特的美感。围绕家具和滑动门构建的规划,避免了不必要的墙壁,为小住宅带来轻盈和开阔之感,同时简化了施工过程。
以厨房为中心的合理布局:在这个小住宅中,厨房成为生活形象的中心,位于房子中心位置,站在厨房柜台前可看到餐厅、书桌和卧室,避免了厨房后面的死胡同,还提供了通往客厅的小路,循环流的平面图为小住宅带来扩张感。此外,材料选择上樱桃木与 50 年前的粗糙混凝土框架形成对比,泽尔科娃木的长桌和咖啡桌与窗外森林呼应,厨房后面的大镜子减少了其存在感,增强了视觉深度,将室外绿化引入室内。
© Tomooki Kengaku
© Tomooki Kengaku
建筑师提供的文字描述该项目是对位于日本东京市中心约57平方米的共管公寓单元的翻修。虽然该单元很紧凑,但它是一个阳光充足的角落房间,面向一个大型植物园,尽管面积很小,但有可能提供丰富的生活环境。
Text description provided by the architects. This project is a renovation of a condominium unit with an area of approximately 57 square meters located in central Tokyo, Japan. Although the unit is compact, it is a sun-filled corner room and faces a large botanical garden, offering the potential for a rich living environment despite its small size.
© Tomooki Kengaku
精炼旧混凝土结构-这座建筑是一座有50年历史的混凝土结构。我们移除了所有旧的装饰材料,露出了混凝土框架。在这个项目中,我们的目标是室内设计,混凝土结构和新材料的对比和并置完美地融合在一起。
Refining the old concrete structure - This building is a 50-year-old concrete structure. We removed all the old finishing materials, exposing the concrete framework. In this project, we aimed for an interior design where the contrast and juxtaposition of the concrete structure and new materials beautifully blend together.
© Tomooki Kengaku
Plan
© Tomooki Kengaku
为紧凑的住宅带来轻盈和宽敞的感觉-我们主要围绕家具和滑动门构建了该计划,尽可能避免创建不必要的墙壁。这一策略为这座小住宅带来了轻盈和开阔的感觉。同时,它使施工过程合理化和简化。
Giving a sense of lightness and spaciousness to the compact residence - We have structured the plan primarily around furniture and sliding doors, avoiding creating unnecessary walls wherever possible. This strategy has imparted a sense of lightness and expansiveness to this small residence. Simultaneously, it has rationalized and simplified the construction process.
© Tomooki Kengaku
围绕厨房进行规划-在这所房子里,一对夫妇和他们的小孩住在一起,厨房是他们生活形象的中心。厨房位于房子的中心,这样当站在厨房柜台前时,人们可以看到餐厅、书桌和卧室。此外,为了避免厨房后面的死胡同,还提供了一条通往客厅的小路。一个有循环流的平面图为小住宅提供了一种扩张感。
Planning around the kitchen - In this house where a couple and their small child live, the kitchen was at the center of their living image. The kitchen was placed at the center of the house so that when one stands at the kitchen counter, one can see into the dining room, desk space, and bedrooms. In addition, to avoid a dead end at the back of the kitchen, a path to the living room was provided. A plan with circulation flow provides a sense of expansiveness to a small residence.
© Tomooki Kengaku
© Tomooki Kengaku
对比和并置-在材料选择上,樱桃木以其细腻的纹理和令人愉悦的质地作为主要材料,旨在与50年前制作的粗糙混凝土框架形成对比。此外,为了与透过窗户可见的泽尔科娃森林相呼应,我们用泽尔科娃木做了长桌子和咖啡桌。咖啡桌上使用的泽尔科娃木材是从旧材料中回收的,用于设计。厨房后面的墙上放置了一面大镜子,以尽量减少其存在,视觉上增强深度,并作为一种将室外绿化带到室内的装置。
Contrast and juxtaposition - In the selection of materials, cherry wood, with its fine grain and pleasant texture, is used as the main material, with the intention of creating a contrast with the rough concrete frame that was made 50 years ago. Also, in correspondence with the zelkova forest visible through the windows, we used zelkova wood for the long desk and coffee table. The zelkova wood used for the coffee tables was recycled from old materials to create the design. A large mirror is placed on the wall behind the kitchen to minimize its presence, visually enhance depth, and serve as a device to bring the outdoor greenery into the interior of the house.
© Tomooki Kengaku